view.” He worked his way out of his dress shoes and toed them off in separate directions. One sailed onto the grass, landing upside down with a soft thud.
I turned, breaking the surface of the water with one foot, then another. We had neighbors on either side, but these were one-acre lots, and they might have been miles away. Too secluded , Marja Browers had said. I took a few tentative strokes in the water and flipped onto my back, wetting my hair. Phil was undressing clumsily, struggling with his socks. My breasts rose above the ripples of the water, and I closed my eyes. Maybe this was what a house at The Palms could give you—a sense of owning something, of deserving the license that came with it.
When I looked up, Phil was standing at the edge of the pool, his clothes shed in untidy piles at his feet. From the water, he looked larger than life—on the scale of Michelangelo’s David , rather than a mere human. He lowered one foot in the water.
“No, wait a second,” I said. “It’s my turn to appreciate the view.”
He gave me a mock pose, muscles flexed. I laughed and kicked water in his direction.
“That’s it,” he said, splashing into the water. We reached for each other.
The neighbors , I thought.
And then: forget the neighbors.
Afterward, we let our bodies drift, float, slide next to and over each other, pulled by the current of gravity, the slow drift toward the infinity edge. It was an illusion, of course—but with my eyes closed, it felt as if I could float past the lawn, out to the golf course, where it was green and green and green forever.
Sometimes, dangling my feet over the edge of the pool, a book in one hand, I’d heard sounds from the golf course—the thwack that sent a ball soaring, the occasional raised voice. From the neighborhood, I’d heard cars starting, engines revving and disappearing; I’d caught snatches of conversation, carried on a breeze. But mostly, I’d grown used to the quiet of The Palms, beginning with the empty rooms in our house, so well carpeted and insulated that I could hear my own breath. This week, with Danielle gone and Phil moving into his office in the clubhouse, I’d found myself singing along with the radio, testing out my voice in the emptiness just to hear another sound.
Now the quiet was peaceful, calming, broken only by the occasional ripple in the water when our bodies broke the surface.
But then there was a clanging sound, the rattle of metal on metal, the sound I recognized as the latch and hook of our back gate.
I looked over at Phil, floating with his chest and shoulders above water, a blissed-out smile on his face. “Someone’s out there,” I hissed.
He shook his head. “Probably just sound carrying.”
But then I heard someone laughing.
Instinctively, I shrank into the water, my eyes scanning the dark pockets of the backyard. The euphoria was gone, the feeling of freedom and invincibility and entitlement. Or maybe I was just sobering, fast. Now I was a flabby, naked woman with a potential audience. “Phil—”
He worked his way toward the shallow end, his chest and shoulders bright in the moonlight. “Probably someone in their backyard.”
“What if there’s someone out on the golf course?”
“I don’t think anyone could see us, anyway.”
But I’d spotted the occasional heads of joggers and walkers bobbing past, the quick, colorful blurs of polo shirts and checkered pants. There was no way to gauge how close this laugh had been, whether someone was standing twenty feet away or all the way at the clubhouse. “I’m going inside,” I said, swimming for the steps.
“Oh, come on.” Phil laughed. “Really?”
But the moment was broken, the fantasy evaporating fast. The Liz who could float naked and free beneath the stars was gone, a once-in-a-lifetime flash of a comet, an anomaly. My clothes were scattered on the deck and inside the house, but I could make a run for it, heading straight for the downstairs laundry