The Dark Volume
seeing Chang's scars for the first time at the Hotel Boniface, when he removed his glasses to look into the blue glass card Doctor Svenson had found. After several strange glimpses of one another, on trains, across the ballroom of Harschmort, in secret tunnels, the three had met unexpectedly at Miss Temple's own hotel and, in an even more unlikely turn of events, joined forces. Chang had looked into her eyes upon taking off his glasses, a deliberate mocking challenge to what he assumed was her tender, ladylike sensibility. But Miss Temple had seen such scarring before, in fact quite regularly, on the faces of her own plantation. Yet even so, she had never considered disfigurement as a regular part of her life, for it had never afflicted anyone for whom she cared. She wondered if she could have loved Roger if he had been lacking one hand, and knew in all truth she never would have opened her heart to begin with. But that was the queer thing, for she had not purposely opened her heart to Cardinal Chang—nor to the Doctor or Elöise—yet somehow he had entered its confines. It was nothing like what Miss Temple had felt upon choosing Roger Bascombe—that was a choice, and for a type of life as much as for the man himself, though she had not fully understood it at the time. Of course, it was impossible to relate men like Chang or Svenson to any reasonable type of life whatsoever.
    She looked up again at the trees, aware that a nagging itch had grown between her legs as her thoughts had wandered. If she had been alone in her room she might have allowed her hands beneath her petticoats, but with Elöise so near Miss Temple merely pressed her thighs together with a frown. It was the glass book again, the one she had looked into—been swallowed by—in the Contessa's rooms at the St. Royale. The book had contained thousands of memories—the lives of courtesans, adventurers, villains of every kind, decadent sensualists, the indulgent and the cruel—together creating a sort of opium den that had trespassed every border of her own identity, and from which she had wrenched herself free only with the most desperate effort. The problem for Miss Temple was the way the glass books captured memories—insidious, delicious, and terrifying. Looking into a book caused the viewer to physically experience the memory from the point of view—the experiential point of view—of the original source, whether this was a man or a woman. It was not as if Miss Temple had merely read a lurid account of the goings on at the Venetian Carnivale — she now remembered performing the same deeds with her own body. Her mind teemed with false memories so vivid they left her breathless.
    She had not spoken of the glass book to anyone. Yet a part of her craved a moment of conversation with the only people who would have comprehended the true extent of what she'd undergone—her darkest enemies, the Comte and the Contessa. She felt the warmth of Elöise's arm around her—for Miss Temple was a woman unused to being touched by any person save a maid doing up her corset—and at even this meager contact unbidden visions began to rise, like smoke from a slow-catching fire, abetted by the jostling cart wheels until every tingling nerve had grown to glowing. She could help it no more and shut her eyes…
    Suddenly she was inhabiting a man's body, with such wonderful strength in her arms, and in her deliciously thrusting hips… then it was the rushing thrill of another girl's greedy tongue between her legs… her hands caught the girl's head and raised her up, a smiling kiss and she tasted herself… one after another the visions flowed together—Miss Temple's face flushed as red as if her fever had returned—until another kiss, another liquid tongue, became—she realized quite abruptly with horror—the Contessa di Lacquer-Sforza dragging her tongue across Miss Temple's eye with a knowing, angry, sensuous sneer. Miss Temple gasped aloud. That incident had really
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