replies Alistair absently. He turns to the Italian and says effusively, âAnd this is Cait, Cait Morganâshe used to work for me, but sheâs something to do with the police now, arenât you, Cait?â
Benigno Brunetti reaches for my hand, and I offer mine to shake his, but instead he turns my palm downward and kisses the back of my hand . . . where I can feel all the little hairs there standing to rippling attention. Oh dear. Quite something .
âEnchanted, Cait, Cait Morgan,â he quips. âItâs Beni, please.â He looks up from my hand, and I see there are tiny amber flecks in his brown eyes, and green flecks too. I feel myself blush. And get warm.
âSo you are a policewoman? Here in Nice?â he asks, now standing upright again.
I laugh. Maybe a little too loudly. I know I am gushing. I cannot help myself. Oh dear. âHeavens, no. Iâm afraid Alistair has things a little mixed up. Iâm a professor of criminology at the University of Vancouver. I presented a paper at an international symposium at the Nice Acropolis this morning. Iâm only visiting for the weekend. And Alistair happened to bump into me and invited me here this evening. I leave on Tuesday. I did once work at his advertising agency in London, but that was a long time ago.â I am speaking quickly, and I am not being witty, engaging or even logical. I want to shut up, but it seems I canât. âSo are you an archaeologist?â
âYes, I have been,â replies Beni, âand I have also, like you, been a professor, but now I am mainly an administrator. They call me the director. It is a grand title for a person who sits in meetings. But I am fortunate to be sitting in meetings about things that fascinate me.â
He is giving me polite attention. Tamsin is on tenterhooks. She feels she should be the center of everyoneâs attention. Itâs her birthday: itâs a fair expectation, but I suspect itâs not confined to one day a year.
Beni is carrying a heavy-looking parcel, wrapped in pink. His large right hand manages to hold it easily as all the kissing, hugging, and introductions take place, and now he offers it to Tamsin, who drops my little basket of fruits onto a nearby chair. I suspect theyâll stay there for some time. Clearly Beniâs gift is far more important. Tamsin strikes me as having a fairly short attention span.
âOoooh, what is it?â she squeals. Can this woman do nothing but be over-enthusiastically squeaky?
âYou should open it to find out,â booms Beni. Heâs teasing her, just a little. I wonder if he has childrenâheâs treating her as though sheâs a child, and he seems to be used to that role. Maybe nieces and nephews? I can hope!
Once again Tamsin sets about destroying the work of the gift-wrapper, dropping the paper and ribbons onto the floor (Alistair bends to pick them upâvery interesting), this time revealing a red velvet-covered oval box. She flips it open. It holds a beautiful silver-backed hand mirror.
âOh, itâs lovely,â she coos as she looks at her reflection, all sense of irony lost on her.
âBeautiful workmanship,â I observe, referring to the art-nouveau design of a peacock with a flowing tail that is chased into the silver back panel and down onto the mirrorâs handle.
âOh yes,â says Tamsin, still looking at herself.
Beni smiles at me, and winks. He gets it. I smile back, and raise an eyebrow.
âHave you seen the pattern on the back, my sweet?â asks Alistair, almost too cheerfully. He gets it too, and heâs embarrassed .
Tamsin twirls the mirror in her tiny hand. Her eyes play across the back and onto the handle. âLook,â she observes excitedly, âthe feathers go all the way down. Isnât that clever?â
We all agree that it is. Terribly clever.
All of this I am certain about. Clear about. There