times the bamboo slivers were spilled before the altar, and the great table of stars was scrutinized minutely for many hours. That Yik-Munn had again chosen wisely was confirmed by Kuan-Yin herself, who had blessed him and his household.
The girl child was probably possessed by a vixen spirit, but a benevolent one, which would bring great prosperity to the House of Munn. She would grow to be even more beautiful than her mother and would fetch a high price from a rich taipan when sold at the age of eight years. Yik-Munn did not mention the prophesy of Chang-Hsein, knowing full well that his sister frequently spoke to patron saints who said exactly what she wanted them to say.
So it was settled. Having heard everything he could have wished to hear, Yik-Munn gave the little fox fairy the name of Li-Xia (Lee Sheeah), “Beautiful One.” As soon as she was old enough, his wives would give her work so that she could earn her rice. With his confidence restored, he gained a new vigor to his step and his splendid teeth gleamed all the brighter among those who envied Yik-Munn, the merchant of fine spices.
The rice shed Li-Xia was allowed to occupy was close to the kitchen. It was home to many spiders, their webs thick in every corner. But it was quiet and she was alone, making a place that was her own beneath the single window, sweeping it clean. She rubbed the dirty glass until it let in a stream of light that fell upon the rice bins and sacks of dried mushrooms.
Only two things frightened her, and she tried not to look at them: two glass jars, big as washtubs, set high on a shelf, reflecting the light from the window. They contained Yik-Munn’s special wine, the wives had told her, and must not be touched. One was Hundred Snake Wine: Coiled inside the jar, in a tangle of yellow, black, and green, were one hundred deadly snakes, steeped in clear liquor, the black beads of their eyes still angry. The other jar held Hundred Mice Wine: in a mass of palest pink, floating in the liquid they were drowned in, were one hundred unborn mice, their eyes unopened.
Each week, Number-One Wife came to the rice shed with a ladle and a pitcher, which she filled with the clear fluid. This was the wife Li-Xia feared the most, always quick to slap her. Each time Number One filled the pitcher, she made the same threat: “Do not touch this wine and do not make me angry, or you shall be put in a jar—we will call it Fox Fairy Wine.” She would laugh at her cleverness and leave Li-Xia alone to think about it.
When the door had closed with a rattle of the latch and the mutterings of Number One were lost to the carping of ducks, Li-Xia would lie down and watch the diamond specks of dust that floated in the patch of light from the window. She had stuck bunches of wildflowers and leafy twigs into tin cups and containers of every kind to form a screen to block the hideous wine jars from her sight. But she imagined she could hear the rustle of a hundred snakes winding their way across the floor, and the squeaking of a hundred mice scampering toward her. She dreamed that she too was stuffed into a jar, Number One pressing her head down into the bittersweet liquid, laughing at her through the thick glass wall of her tiny prison.
Then Li-Xia found the treasure that would one day change her life. In a dark corner, hidden beneath a pile of empty sacks, she uncovered a broken wooden box filled with scrolls and wads of musty paper of all shapes and sizes, each covered with strokes and squiggles, lines and curves of the calligrapher’s hand. She had taken each piece and smoothed it flat, blowing away the dust and scraping off the marks of cockroaches with her fingernail. By the silver light of a moon that sometimes kept her company, driving back the threatening shadows, she studied every page and wished so much that she could read.
The characters were shaped so beautifully, displayed before her in such neat rows, splendid in their mystery. She wanted to
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