The Coffin Dancer
said wryly. “What else you know about him?”
    “White male, probably in his thirties. That’s it.”
    “You traced the tattoo?” Sachs asked.
    “Of course,” Rhyme responded dryly. “To the ends of the earth.” He meant this literally. No police department in any major city around the world could find any history of a tattoo like his.
    “Excuse me, gentlemen and lady,” Thom said. “Work to do.” Conversation came to a halt while the young man went through the motions of rotating his boss. This helped clear his lungs. To quadriplegics certain parts of their body become personified; patients develop special relationships with them. After his spine was shattered while searching a crime scene some years ago Rhyme’s arms and legs had become his crudest enemies and he’d spent desperate energy trying to force them to do what he wanted. But they’d won, no contest, and stayed as still as wood. Then he’d confronted the racking spasms that shook his body unmercifully. He’d tried to force them to stop. Eventually they had—on their own, it seemed. Rhyme couldn’t exactly claim victory though he did accept their surrender. Then he’d turned to lesser challenges and had taken on his lungs. Finally, after a year of rehab, he weaned himself off the ventilator. Out came the trachea tube and he could breathe on his own. It was his only victory against his body and he harbored a dark superstition that the lungs were biding their time to get even. He figured he’d die of pneumonia or emphysema in a year or two.
    Lincoln Rhyme didn’t necessarily mind the idea of dying. But there were too many ways to die; he was determined not to go unpleasantly.
    Sachs asked, “Any leads? LKA?”
    “Last known was down in the D.C. area,” Sellitto said in his Brooklyn drawl. “That’s it. Nothin’ else. Oh, we hear about him some. Dellray more’n us, with all his skels and CIs, you know. The Dancer, he’s like he’s ten different people. Ear jobs, facial implants, silicon. Adds scars, removes scars. Gains weight, loses weight. Once he skinned this corpse—took some guy’s hands off and wore ’em like gloves to fool CS about the prints.”
    “Not me, though,” Rhyme reminded. “I wasn’t fooled.”
    Though I still didn’t get him, he reflected bitterly.
    “He plans everything,” the detective continued. “Sets up diversions then moves in. Does the job. And he fucking cleans up afterwards real efficient.” Sellitto stopped talking, looking strangely uneasy for a man who hunts killers for a living.
    Eyes out the window, Rhyme didn’t acknowledge his ex-partner’s reticence. He merely continued the story. “That case—with the skinned hands—was the Dancer’s most recent job in New York. Five, six years ago. He was hired by one Wall Street investment banker to kill his partner. Did the job nice and clean. My CS team got to the scene and started to walk the grid. One of them lifted a wad of paper out of the trash can. It set off a load of PETN. About eight ounces, gas enhanced. Both techs were killed and virtually every clue was destroyed.”
    “I’m sorry,” Sachs said. There was an awkward silence between them. She’d been his apprentice and his partner for more than a year—and had become his friend too. Had even spent the night here sometimes, sleeping on the couch or even, as chaste as a sibling, in Rhyme’s half-ton Clinitron bed. But the talk was mostly forensic, with Rhyme’s lulling her to sleep with tales of stalking serial killers and brilliant cat burglars. They generally steered dear of personal issues. Now she offered nothing more than, “It must have been hard.”
    Rhyme deflected the taut sympathy with a shake of his head. He stared at the empty wall. For a time there’d been art posters taped up around the room. They were long gone but his eyes played a game of connect-the-dots with the bits of tape still stuck there. A lopsided star was the shape they traced, while within him
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