donât know, you canât be forced to tell.â
They ate in silence until at last Melissa, too tightly wound to sit another minute, rose and picked up her plate. At thestove she heated water and did up the dishes while Mag took the piglets out to the sow, meaning to guard them while they nursed. Melissa worked idly at the spinning wheel while she made plans, her mind filled with the imprisoned rebels.
Rebellion had been building a long time against Queen Siddonieâs increasing enslavement of other Netherworld nations. And Siddonieâs rule within Affandar itself was crueler and more constricting each year. She had conscripted workers by enchantment, to go into the mines, and to serve in her growing army. She had torn families apart, and destroyed many of the traditional ways of making a living, destroyed peopleâs will to work. As a result, villagers were starving.
When Mag came in and knelt before the cookstove, getting the piglets settled in their basket, Melissa climbed into her cot and pretended sleep. Not until hours later did she rise again and, in the near-dark, pull on her dress, pack some bread and ham, and take up a waterskin and lantern.
Chapter 4
B raden, barefoot and wearing cutoffs, set his coffee cup on the terrace table. The garden was barely light, the dawn air cool and smelling of wet leaves. He stood idly studying the tangle of flowers and small trees and bushes trying to get awake, trying to shake a faint but depressing hangover. The three houses up the hill were still dark. The studio behind him was dark, though if work had been going well it would be a blaze of light. He would already have set up a canvas, poured out turpentine and oil, and become lost in the painting.
When Alice was alive they used to walk at dawn on Sundays, Alice striding out fast but seeing every leaf and change of color, every bird, every animal in every yard. Theyâd end up at Antheaâs in the village for breakfast, get the papers, read the reviews of the new exhibits. And when they were remodeling the house, theyâd had breakfast out here on the terrace among the sawhorses and lumber, before the carpenters arrived. The front of the house had been torn out waiting for a new glass wall, gaping open to the garden like a bombed-out war casualty. Theyâd nailed canvas drop cloths over the forty-foot hole and Alice said that ought to be a big enough canvas for him to work on. Some of the inner walls had been torn away, too; theyâd lived for ten weeks among bare studs and sheetrock dust. He could see Alice sitting here at the terrace table, her head bent, her long pale hair catching the light as she studied the blueprints. Sheâd been so happy to have the studio finished at last, to have her own place to work. The living room, dining room and entry hall had been turned into one forty-foot studio with rafters supporting the roof, and a skylight in Bradenâs work area. Alice liked the softer light of the windows. She had taken a week to get her half of the studio set up, installing shelves, arranging the printing plates and handmade papers and etching and litho inks. Thinking about her was still like digging into a fresh wound.
Above him up the terraces a sound jarred himâthe snip, snip, snip of garden clippers. He stared up at the dark, thin gardener who was hunched over a bush methodically trimming away. Vrech was a greasy, unpleasant man. And what the hell was he doing here so early? Waking up everyone else in the garden houses. The snap of the clippers was like gnashing teeth.
The six houses that circled the garden shared Vrechâs salary, but Olive Cleaver had hired him, years ago. The man did his job all right, kept the hillside tangle in just enough order to make the garden interesting, but he put Braden on edge; there was a cloying quality about him. Braden watched him, annoyed, pushing aside his sketch pad and pencils.
He had meant to plan a new painting this
Under the Cover of the Moon (Cobblestone)