the atmosphere of the Portrait Gallery. Jamie looked at Charlie. The cruelties of the world, its viciousness, seemed so dissonant with the innocence of the child. He returned to kings.
âGeorge IV,â he said. âThat was another favourite picture of mine. Ever since I heard that the artist who painted the picture of his arrival in Edinburgh showed him in his kilt but without the pink tights that apparently he wore when he arrived in Scotland.â
Isabel laughed. âThat sounds almost as bad as those Soviet portraits. I saw one in the State Gallery in Moscow years ago. It was a collective portrait of the politburo or some such group. The ones who had been discredited or executed were simply painted out and replaced with large flower arrangements. But the contours of the paint showed that something had been done. Such a bad signâthe appearance of flowers in official portraits.â
Jamie looked at her quizzically. He was not quite sure how to take remarks like that from Isabel. It was, he said, her Dorothy Parker streak. âBut Iâd never take a streak from another woman,â Isabel had protested.
âThere you go,â said Jamie.
But now there was this odd remark about flowers. âWhy flowers?â he asked.
âWell,â said Isabel, âlook at political broadcasts by presidents and prime ministers. The shaky ones, those one thinks are lying, or at least being economical with the truthâthey bedeck the tables behind them with large floral arrangements. I take that as a sure sign that thereâs something fishy going on. Flags and flowers. Theyâre stage props. And soldiers. Being seen talking to the troops is very good for votes.â
The waitress arrived and they gave their order. Jamie reached across the table and touched Charlieâs arm.
âSo small,â he said. âLike a little doll.â
Isabel smiled and let her hand touch Jamieâs. He curled his fingers round hers, briefly.
âThank you,â she said quietly.
âThank you for what?â
âFor not going away.â
He gave a start. âWhy should I go away?â
She nodded in the direction of Charlie. âNot every man stays,â she said. âYou might easily have preferredâ¦preferred your freedom.â
He stared at her. Had she misjudged him that badly? He felt an irritation, a crossness, that she should think that of him. And Isabel, watching him, immediately sensed that.
âIâm sorry,â she said. âIâve offended you. I didnât mean to. Itâs just thatâ¦well, youâre younger than I am. You need your freedom. You donât need to be tied down.â
Jamie swallowed. He looked about him briefly; the restaurant was busy, as it always was at lunchtime, but in the general hubbub it did not look as if anybody might overhear their conversation. âOf course I wouldnât make myself scarce,â he said. âI told you thatâright at the beginning. I told you when Charlie arrived. I was there, wasnât I?â
âOf course you were,â said Isabel soothingly. âPlease donât be angry with me. Please.â And she thought, Iâm making a mess of this. Itâs exactly the same as my relationship with Cat. I make a mess of things by saying things that I donât need to say.
Jamie was staring at the table, tracing on its surface an imaginary pattern with a forefinger. He looked up, and Isabel saw that he was flushed. âJamie,â she said. âPleaseâ¦â
He shook his head. âNo. I want to say something. I should have said it before. Now Iâm going to say it.â
She held her breath. I shouldnât have imagined that this would last, she thought; now Iâll find out what I always feared. To have had him, now to lose him; it was inevitable.
âIsabel,â he said. âIâd like you to marry me.â He paused. âI think we should get