predicament would sound as absurd to an outsider as the dangers of Althea and her fictional sisters usually sounded to her. It was difficult to describe peril unless it consisted of something as concrete as a bullet or a bloody knife. But she had learned that danger could be implicit in a look, and that the movement of an arm could convey a threat.
She sighed, and closed the book on poor Althea and her pounding heart. Once again she half turned, to scan the road behind. But thistime the road was not innocuous. How long had the car been there? It was an open car, a convertible, and it was closeâdangerously closeâto the bus. She could make out the features of the two men quite clearly. The brown mustache was unmistakable.
For several seconds Jess was too paralyzed to move. Pounding hearts indeed, she thought; hers was banging around like a loose pebble in a box. Could they see her? She thought not. Thanks to the fat ladyâs bundles she was jammed into the corner, where a stretch of blank wall separated the back window from the one on the side. This was not one of the new all-glass sight-seeing buses, and she had to look sideways as well as back to see out the window. It was pure reflex that made her shrink back, with a little gasp of terror.
The fat lady leaned over and put a firm hand to her arm.
âNow then, love, whatâs the matter?â
âThe matter?â Jess squeaked.
âWhy, child, youâre as pale as a ghost. Donât be afraid. This isnât the States, where the gangsters and hippies are shooting people down in cold blood all over the streets; no doubt theyâll have followed you from home, those two backthere, but youâre in England now, donât you fear; we donât let such things happen here.â
âHow did you know?â
âHavenât I watched you, nervous as a cat, peering out that window the whole time and not being able to read your little book? Iâll tell you what weâll do; youâll just get off the bus with me and weâll fetch Thomas Babbitt. I knew you were an American, of course. My niece married one, naturally he was a man, but I know what itâs like over there.â
Out of this morass of inconsequentiality and shrewd analysis, Jessicaâs reeling brain focused on one point.
âWho,â she asked feebly, âis Thomas Babbitt?â
âThe constable, of course. Heâll get rid of those two. Heâs my sisterâs boy. Mrs. Hodge, thatâs my name, Mrs. Edward Hodge.â
âHow do you do. But, Mrs. Hodgeâyouâre very kind, butâ¦Those two back there. Iâm afraid one constable wouldnât beââ
âArmed, are they?â Mrs. Hodge had pale-blue eyes, just the color of the glass eyes of a doll Jess had once owned. They widened with delighted horror. âWith guns? Pistols?â
Jess got a grip on herself.
âI donât know. They may be. But I canât riskyour getting hurt, you or anyone else. They may not even wait till I get off. They may stop the bus. They canât be sure Iâm on this one, you see.â
Mrs. Hodge pressed her lips tightly together and nodded till the blue flowers on what was surely her âSunday hatââas opposed to her âother hatââwobbled insanely.
âThere, I knew it, a nice girl like you wouldnât be involved in anything criminal. That Bonnie and Clyde, now, I thought of that at first: gangsters rubbing out the one that double-crosses them, eh? But itâs not that. No, you donât need to tell me; itâll beââ She glanced at the little boy, who was staring in fascination, and lowered her voice. âItâll be the white slave trade. Well!â She nodded again, and the flowers danced. âThey canât do that sort of thing, not in England.â
Kindness and sympathy, however muddle-headed, had the wrong effect on Jess, who suddenly felt she might