denying that it handles like a dream, practically anticipating my every move. But on the other hand, everyone who can afford a Mercedes doesn't necessarily belong in one, and I'm becoming increasingly convinced that I fit into that category. The car embarrasses me, and I sometimes find myself grinning apologetically at passing motorists in Fords and Toyotas, as if those perfect strangers know I'm really one of them, out doing some unseemly social climbing. The sleek German design was never intended to house my petty insecurity.
The Parkway winds its way through the green Connecticut foliage, the outer edges of the leaves just beginning to glow red, signifying the approaching autumn. I sing along loudly to âThunder Roadâ in an attempt to distract myself from the anxiety rising in me with each passing mile, but it's no use. I'm assaulted by a steady barrage of scenes from my past that flash by too quickly for proper identification but nonetheless leave me feeling vaguely disturbed. And then, as I'm passing Norwalk, Bruce begins singing âBackstreetsâ and, as if on cue, Sammy Haber emerges without warning from the back of my mind, striding purposefully across the stage of my brain in his checkered pants and that ridiculous pompadour. The image is so complete, so overwhelmingly perfect, that I feel my throat constrict and tears well up unbidden in my eyes. I take a deep breath, but the tears continue to come, blurring my vision, and I have to quickly pull over onto the anorexic shoulder of the highway, choking back an astonished sob as I throw the car into park.
Sammy. It takes just that one image of him for me to realize that I've been cheating my memory up until now, relating to him strictly within the confines of a literary character, unwilling to connect with him on a personal level. I thought I'd exorcised my demons by writing the book, but I now see that I've merely appeased them temporarily. And now I'm heading back to the Falls, where his ghost and others await me, and I'll have to deal with him and everything that had happened all over again, this time without the structured buffer of my pages and chapters to hold them in check. I shudder, wiping away the warm dampness on my cheeks as I wrestle my breathing back under control. Cars hurtle past me on the Merritt like missiles, their force gently buffeting my car as it idles on the shoulder.
There was a time when I wasn't like this, when I had friends and I cared. Sammy, Wayne, and me, three misfits who somehow managed to fit. And then things got all fucked up and we didn't anymore, but for a while there we had something. And beyond that, even, I had Carly.
Time doesn't heal as much as it buries things in the undergrowth of your brain, where they lie in wait to ambush you when you least expect it. And so, as the years passed, Sammy became little more than an exhibit in the museum of my memory, and Wayne was reduced to an enigmatic hologram fading in and out of perception. Only Carly persevered as a living fixture in my consciousness, stubbornly eluding any and all efforts to retire her behind the glass wall of memory, maybe because I had loved her as an adult or maybe because that was just Carly, whose sheer force of personality would never allow such diminishment. Whatever the reason, my every feeling and experience is still colored by a dim awareness of her, and wherever I go, she floats, ever present, in the background. She's still such a part of my life, the pain is still so fresh, that it's unbelievable to me that we haven't spoken in close to ten years. Everyone always wants to know how you can tell when it's true love, and the answer is this: when the pain doesn't fade and the scars don't heal, and it's too damned late.
The tears threaten to return, so I willfully banish all thoughts from my head and take a few more deep breaths. I'm suddenly dizzy from the panic attack I've just suffered, and I close my eyes, resting my head against the warm
Dawne Prochilo, Dingbat Publishing, Kate Tate