look away when they pass it.
At one time, when the building housed a pizza parlor, people saw only slow-footed teen-aged boys huddled about the corner. These young boys met there to feel their groins, smoke cigarettes, and plan mild outrages. The smoke from their cigarettes they inhaled deeply, forcing it to fill their lungs, their hearts, their thighs, and keep at bay the shiveriness, the energy of their youth. They moved slowly, laughed slowly, but flicked the ashes from their cigarettes too quickly too often, and exposed themselves, to those who were interested, as novices to the habit. But long before the sound of their lowing and the sight of their preening, the building was leased to a Hungarian baker, modestly famous for his brioche and poppy-seed rolls. Earlier than that, there was a real-estate office there, and even before that, some gypsies used it as a base of operations. The gypsy family gave the large plate-glass window as much distinction and character as it ever had. The girls of the family took turns sitting between yards of velvet draperies and Oriental rugs hanging at the windows. They looked out and occasionally smiled, or winked, or beckoned—only occasionally. Mostly they looked, their elaborate dresses, long-sleeved and long-skirted, hiding the nakedness that stood in their eyes.
So fluid has the population in that area been, that probably no one remembers longer, longer ago, before the time of the gypsies and the time of the teen-agers when the Breedloves lived there, nestled together in the storefront. Festering together in the debris of a realtor’s whim. They slipped in and out of the box of peeling gray, making no stir in the neighborhood, no sound in the labor force, and no wave in the mayor’s office. Each member of the family in his own cell of consciousness, each making his own patchwork quilt of reality—collecting fragments of experience here, pieces of information there. From the tiny impressions gleaned from one another, they created a sense of belonging and tried to make do with the way they found each other.
The plan of the living quarters was as unimaginative as a first-generation Greek landlord could contrive it to be. The large “store” area was partitioned into two rooms by beaverboard planks that did not reach to the ceiling. There was a living room, which the family called the front room, and the bedroom, where all the living was done. In the front room were two sofas, an upright piano, and a tiny artificial Christmas tree which had been there, decorated and dust-laden, for two years. The bedroom had three beds: a narrow iron bed for Sammy, fourteen years old, another for Pecola, eleven years old, and a double bed for Cholly and Mrs. Breedlove. In the center of the bedroom, for the even distribution of heat, stood a coal stove. Trunks, chairs, a small end table, and a cardboard “wardrobe” closet were placed around the walls. The kitchen was in the back of this apartment, a separate room. There were no bath facilities. Only a toilet bowl, inaccessible to the eye, if not the ear, of the tenants.
There is nothing more to say about the furnishings. They were anything but describable, having been conceived, manufactured, shipped, and sold in various states of thoughtlessness, greed, and indifference. The furniture had aged without ever having become familiar. People had owned it, but never known it. No one had lost a penny or a brooch under the cushions of either sofa and remembered the place and time of the loss or the finding. No one had clucked and said, “But I
had
it just a minute ago. I was sitting right there talking to…” or “Here it is. It must have slipped down while I was feeding the baby!” No one had given birth in one of the beds—or remembered with fondness the peeled paint places, because that’s what the baby, when he learned to pull himself up, used to pick loose. No thrifty child had tucked a wad of gum under the table. No happy drunk—a friend