to talk to her. Sheâs been making a statement to one of my men.â
âI would like that,â McCall said. âI must say Iâm not used to this sort of co-operation, Lieutenant. Thank you.â
Powell scowled at him. âIâm giving you everything you want, McCall. Everything to get you out of Rockview as soon as possible.â
Suzanne Walsh was seated on a straight-backed wooden chair, red-eyed and obviously still distraught. She looked up at him when he entered the room, but did not recognize him.
âIâm Micah McCall. I met you at Dora Pringleâs party yesterday.â
She sniffed and focused her eyes on him. âWas that only yesterday?â She was younger than heâd estimated at their first meetingâpossibly still in her early thirtiesâbut her rounded face and slim formless body made her appear somehow ageless. She was not really an unattractive woman, but she gave the impression of one already resigned to spinsterhood.
âGovernor Holland was most disturbed to learn of this terrible crime. He wanted me to convey his deepest regrets. Has Mr. Sloaneâs family been notified?â
She touched her nose with a balled-up handkerchief. âHe had no family. There was a brother who died some years back, and that was all.â
âHe never married?â
âOnce, when he was very young. But as I understand it, the marriage was annulled after a few months.â
âAny idea who killed him?â
She fumbled in her purse for a cigarette. âSomebody who didnât like the questions he was asking. Somebody who didnât want him here.â
âWhat questions was he asking? He wouldnât have had time for many, since you just drove up here last night.â
She nodded, dangling the cigarette from a corner of her mouth. âLast week he had me send out letters to a number of people here in Rockview. The letters announced that he would be arriving last night and staying at the Rockview Motel. They requested information about a man named Sol Dahlman, who was believed to have made a movie titled The Wild Nymph here some twenty years ago.â
âDo you have a copy of the letter and a list of those to whom it was sent?â
âIâve already given it to Lieutenant Powell, but I remember the names on the list. They were Xavier Mann, president of a film processing company and other businesses here, and Frank Jordan, the cityâs mayor, and some local police officials. Five letters in all.â
âYou certainly donât think one of them killed him?â
âI donât know what to think, Mr. McCall. I only know the man I worked for is dead, and somebody murdered him.â
âDo you have a copy of that letter?â he asked again.
Lieutenant Powell returned at that moment, and McCall realized he was not to be left alone with Suzanne Walsh for any extended period. âWhat is it you want, McCall?â
âThe letter Sloane sent to Rockview officials before he came here. Miss Walsh said she gave you a copy.â
The lieutenant grunted. âShe didnât have to give it to me. I already had a copy. The Chief of Police passed it along to me earlier in the week.â
McCall accepted the letter Powell produced, and read through it quickly.
Dear Sir:
During my long years as a part of the motion picture industry I have always been interested in the talents and achievements of young unknown directors. Some years back my attention was attracted to the work of a virtually unknown man named Sol Dahlman. His one feature-length film, The Wild Nymph , was considered by many to be obscene at the time, and for the past twenty years it has enjoyed an underground reputation which limited its showing to stag smokers and back rooms. I believe now that its time has come. The changing sexual climate in America, together with relaxed obscenity laws, means that a film of true artistic merit like The Wild Nymph can