The Big Breach
weeks later a letter arrived on FCO (Foreign and Commonwealth Office) crested paper signed by a Mr M.A. Halliday inviting me to an interview at 3 Carlton Gardens, London SW1.
     
    Sitting on the low leather sofa in the reception hall of the elegant John Nash-designed house overlooking St James's Park in central London, I was curious and intrigued rather than nervous. The meter ticking next to my battered old BMW parked a block away was more worrying than the impending interview. I checked my watch and hoped it would not last long. Recent editions of The Economist and Financial Times were scattered in front of me on the low glass-topped table, and I picked one up to pass the time.
     
    I heard soft footsteps descending the stairs from the mezzanine floor above and shortly a tall, pretty girl stepped out on to the marble floor, her high-heels clacking as she approached. I put down The Economist and stood. `Mr Tomlinson?' she asked, smiling. I nodded. `Mr Halliday will see you now. I'm Kathleen, by the way.' We shook hands and she escorted me up the stairs to the mezzanine floor where she showed me into one of the offices.
     
    A small and slightly built man in a wide-lapelled brown suit with a string vest glimmering through an acrylic shirt awaited behind a desk. We exchanged greetings and shook hands. He urged me to sit down on a low armchair and sat down opposite me, a low table between us. He smiled. `Do you know what you are doing here?' he asked.
     
    `Haven't a clue,' I replied cautiously.
     
    `Well first, can I ask you to read and sign this?' He handed me a printed sheet of paper and a biro. It was an excerpt from the 1989 OSA (Official Secrets Act), headed ` TOP SECRET ’ . He went over to the window and gazed over St James's Park while I read it. I signed it vigorously to signify that I was finished, and he returned with another file. `Now read this,' he ordered, handing me the green ring-binder.
     
    Halliday returned to the window, leaving me to read the 30 or so plastic-wrapped pages. They explained that MI6 was Britain's overseas intelligence-gathering organisation, administered by the FCO, and that its objective was to gather intelligence from secret human sources on political, military, economic and commercial policies of rival foreign powers. A couple of paragraphs explained the selection procedure - almost identical to the FCO entry procedure, with one extra round of interviews. The positive vetting procedure - an inquisition into a candidate's private life - was described, then it outlined in general terms an MI6 career. Six months of training, a first overseas posting after a couple of years behind a desk in London, then alternate three-year home and overseas postings until compulsory retirement at 55. At the back was the payscale - not generous compared to salaries in the private sector, but still adequate.
     
    I closed the file and put it down on the low table. Halliday got up from his desk and rejoined me. `What do you think?' he asked eagerly, as though I had just finished inspecting a second-hand car he was trying to sell.
     
    `I'd like to know more,' I replied cautiously.
     
    Halliday asked the usual interview questions with one unusual request. `One of the jobs we often have to do in MI6 is make a succinct character appraisal of a contact of the service - a pen portrait if you like. Could you describe somebody succinctly who you have come across in your life?' he asked. I thought for a moment, then described Rodolfo. A colourful character, it was not difficult. Halliday made it clear that he was seeking a long-term commitment to the service, in return for which there was a high degree of job security.
     
    `That sounds fine,' I replied. `I'm looking for just that sort of thing.' The interview ended with Halliday assuring me that he would write to me soon. There were only a few minutes left on the parking meter.
     
    Two weeks later a letter arrived inviting me for a second interview. It was
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