detached expression. Then he turned her way with a speculative look. An invitation to talk?
She stood. And turned to look at the stage just as a long-haired woman in cowboy boots strode to the center pole.
For Cookie it was all routine so far, ankle holding up better than she thought it might. The boots helped. She couldn't remember when she'd written that note to herself, Cowboys and Indians!, but it was going to be inspired. She flexed and bent and pouted and pointed her breasts on automatic pilot. Should she get the ankle x-rayed? Nah. It was only a sprain. Two ibuprofen and some ice would fix it.
Decent crowd for a Tuesday night. Some high spenders behind the pillar there, but Ginger had taken them for four lapdances already. Well, hey, there were always more men with more money than sense. She glanced into the wings. Danny had her hat. He nodded. She moved automatically, counted under her breath, and just as the first haunting whistle of Morricone's "The Good, the Bad, and the Ugly" soundtrack echoed from the speakers she held out her hand, caught the hat, and swept it onto her head. Ooh, baby, perfect today, perfect. She smiled and strutted downstage. A woman at the front table was standing. Cookie saw the flash of a very expensive watch, and for no particular reason was flooded with conviction that tonight was going to go very well indeed. Cookie, baby, she told herself, tonight you're gonna get rich.
And with that catch of the hat, that strut, just like that, Cody forgot about Boone and his contract, forgot about being seamless, forgot everything. The dancer was fine, lean and soft, strong as a deer. The name Cookie was picked out in rhinestones on her hat, and she wore a tiny fringed buckskin halter and something that looked like a breechclout—flaps of suede that hung from the waist to cover front and back, but not the sides—and wicked spurs on the boots. She looked right at Cody and smiled, and her eyes were not blank.
Part of Cody knew that Boone had seen her stand, and was now watching her watch this dancer, and that she should stop, or sit, or keep walking to Boone's end of the table, but the other part—the part that liked to drink shots in biker bars, to code all night with Acid Girls pounding from the speakers and the company's fortunes riding on her deadline, the part that had loaded up her pickup and left Florida to drive all the way to the West Coast on her own when she was just nineteen, that had once hung by her knees from a ninth floor balcony just because she could—that part cared about nothing but this woman with the long brown hair.
The hair was Indian straight and ended just one inch above the hem of the breechclout, and the way she moved made Cody understand that the hat and spurs were trophies, taken from a dead man. When the dancer trailed her hands across her body, Cody knew they held knives. When the male voices began their rhythmic chanting, she could see this woman riding hard over the plain, vaulting from her pony, stripping naked as she walked.
The music shifted but again it was drums, and now Cookie swayed like a maiden by a pool, pulling the straps of her halter off her shoulders, enough to expose half her breasts but not all, and she felt them thoughtfully, and began to smear them with warpaint. When she had painted all she could see, she pushed the buckskin down further, so that each breast rested like a satsuma on its soft shelf, then she turned her back on the audience, twisted her hair over one shoulder and examined the reflection of her ass in the water. She turned a little, this way and that, lifting the back flap, one corner then another, dropping it, thinking, stroking each cheek experimentally, trying to decide how to decorate it. Then she smoothed the buckskin with both hands so it pulled tight, and studied that effect. She frowned. She traced the outline of her g-string with her index finger. She smiled. She stuck her butt out, twitched it a couple of