on the âacidic.â â
âIt does indeed,â he drawled. âI prefer to call it âreal life.â â
âThen itâs no surprise youâve taken up with Edwin. He considers real life to be acidic, too.â
âOh no, donât drag me into this,â Edwin put in.
Mr. Keaneâs gaze searched her face. âAnd you, Lady Yvette? Do you consider real life acidic?â
My, my. Quite the persistent fellow, wasnât he? âIt can be, I suppose. If one wants to dwell on that part. Iâd rather dwell on happier aspects.â
A sudden disappointment swept his handsome features. âSo you prefer paintings of bucolic cows in a field.â
âI suppose. Or market scenes. Or children.â
The mention of children sparked something bleak in the depths of his eyes. âArt should challenge viewers, not soothe them.â
âIâll try to remember that when confronted at my breakfast table by a picture of vultures devouring a dead deer. That is one of yours, isnât it?â
Mr. Keane blinked, then burst into laughter. âBlakeborough, you forgot to tell me that your sister is a wit.â
âIf Iâd thought it would get you to agree to our transaction sooner,â Edwin said wearily, âI would have mentioned it.â
â âTransactionâ?â She stared at her brother. âWhat transaction?â
Edwin turned wary. âI told you. Mr. Keane is going to paint your portrait. I figured that a well-done piece of art showing what a lovely woman you are . . . might . . . well . . .â
âOh, Lord.â So that was his reasoning. A pox on Edwin. And a pox on Mr. Keane, too, for agreeing to her brotherâs idiocy. Clearly, the artist had been coerced. Mr. Keane was well-known for not doing formal portraits. Ever.
She fought to act nonchalant, though inside she was bleeding. Did Edwin really think her so unsightly that she needed a famous artist to make her look appealing?
âForgive my brother, sir,â she told Mr. Keane with a bland smile. âHeâs set on gaining me a husband, no matter what the cost. But Iâve read the interview where you said youâd rather cut off your hands than paint another portrait, and Iâd hate to be the cause of such a loss to the world.â
Mr. Keane gazed steadily at her. âI sometimes exaggerate when speaking with the press, madam. But this particular portrait is one I am more than willing to execute, I assure you.â
âEager for the challenge, are you?â Such raw anger boiled up in her that it fairly choked her. âEager to try your hand at painting me attractive enough to convince some hapless fellow in search of a wife to ignore the evidence of his eyes?â
Belatedly, her brother seemed to realize how sheâd taken his words. âYvette, thatâs not what I was saying.â
She ignored him. âOr perhaps itâs the money that entices you. How much did my brother offer in order to gain your compliance in such an onerous task? It must have been a great deal.â
âI didnât offer him money,â Edwin protested. âYou misunderstand what Iââ
âI want to paint you,â Mr. Keane snapped even as he glared Edwin into silence.
With betrayal stinging her, she gathered the remnants of her dignity about her. âThank you, but I am not yet so . . . so desperate as to require your services.â
She turned to leave, but Mr. Keane caught her by the arm. When she scowled at him, he released her . . . only to offer her his hand. âMay I have this dance, Lady Yvette?â
That took her by surprise. Only then did she notice the strains of a waltz being struck. She had half a mind to stalk off in a huff, but that would be childish.
Besides, other people had begun to notice their exchange, and she could not endure the idea of people
Jennifer - a Hope Street Church Stanley