her nervous, and she struggled against it. Nerves were something she felt rarely, and never acknowledged. Her work had been looked at before, she reminded herself. What else did an artist want but recognition? She linked her fingers and remained silent. His opinion hardly mattered, she told herself, then moistened her lips.
He picked up a piece of marble shaped into a roaring mass of flames. Though the marble was white, the fire was real. Like every other piece heâd examined, the mass of marble flames was physical. Kirby had inherited her fatherâs gift for creating life.
For a moment, Adam forgot all the reasons he was there and thought only of the woman and the artist. âWhere did you study?â
The flip remark sheâd been prepared to make vanished from her mind the moment he turned and looked at her with those calm brown eyes. âÃcole des Beaux-Arts formally. But Papa taught me always.â
He turned the marble in his hands. Even a pedestrian imagination wouldâve felt the heat. Adam could all but smell it. âHow long have you been sculpting?â
âSeriously? About four years.â
âWhy the hell have you only had one exhibition? Why are you burying it here?â
Anger. She lifted her brow at it. Sheâd wondered just what sort of a temper heâd have, but she hadnât expected to see it break through over her work. âIâm having anotherin the spring,â she said evenly. âCharles Larsonâs handling it.â Abruptly uncomfortable, she shrugged. âActually, I was pressured into having the other. I wasnât ready.â
âThatâs ridiculous.â He held up the marble as if she hadnât seen it before. âAbsolutely ridiculous.â
Why should it make her feel vulnerable to have her work in the palm of his hand? Turning away, Kirby ran a finger down her fatherâs bronze nose. âI wasnât ready,â she repeated, not sure why, when she never explained herself to anyone, she was explaining such things to him. âI had to be sure, you see. There are those who sayâwhoâll always sayâthat I rode on Papaâs coattails. Thatâs to be expected.â She blew out a breath, but her hand remained on the bust of her father. âI had to know differently. I had to know.â
He hadnât expected sensitivity, sweetness, vulnerability. Not from her. But heâd seen it in her work, and heâd heard it in her voice. It moved him, every bit as much as her passion had. âNow you do.â
She turned again, and her chin tilted. âNow I do.â With an odd smile, she crossed over and took the marble from him. âIâve never told anyone that beforeânot even Papa.â When she looked up, her eyes were quiet, soft and curious. âI wonder why it should be you.â
He touched her hair, something heâd wanted to do since heâd seen the morning sun slant on it. âI wonder why Iâm glad it was.â
She took a step back. There was no ignoring a longing so quick and so strong. There was no forgetting caution. âWell, weâll have to think about it, I suppose. This concludes the first part of our tour.â Sheset the marble down and smiled easily. âAll comments and questions are welcome.â
Heâd dipped below the surface, Adam realized, and she didnât care for it. That he understood. âYour homeâsâ¦overwhelming,â he decided, and made her smile broaden into a grin. âIâm disappointed there isnât a moat and dragon.â
âJust try leaving your vegetables on your plate and youâll see what a dragon Tulip can be. As to the moatâ¦â She started to shrug an apology, then remembered. âToadstools, how could I have forgotten?â
Without waiting for an answer, she grabbed his hand and dashed back to the parlor. âNo moat,â she told him as she went directly to the