intelligent give-and-take that skimmed over the surface and meant absolutely nothing.
But Kirby found herself aware of him, more aware than she should have been. More aware than she wanted to be.
Just what kind of man was he, she wondered as he sprinkled salt on his eggs. Sheâd already concluded he wasnât nearly as conventional as he appeared to beâor perhaps as he thought himself to be. There was an adventurer in there, she was certain. Her only annoyance stemmed from the fact that it had taken her so long to see it.
She remembered the strength and turbulence of the kiss theyâd shared. Heâd be a demanding lover. And a fascinating one. Which meant sheâd have to be a great deal more careful. She no longer believed heâd be easily managed. Something in his eyesâ¦
Quickly she backed off from that line of thought. The point was, she had to manage him. Finishing off her coffee, she sent up a quick prayer that her father had the Van Gogh well concealed.
âThe tour begins from bottom to top,â she said brightly. Rising, she held out her hand. âThe dungeons are marvelously morbid and damp, but I think weâll postpone that in respect of your cashmere sweater.â
âDungeons?â He accepted her offered arm and walked from the room with her.
âWe donât use them now, Iâm afraid, but if the vibrations are right, you can still hear a few moans and rattles.â She said it so casually, he nearly believed her. That, he realized, was one of her biggest talents. Making the ridiculous sound plausible. âLord Wickerton, the original owner, was quite dastardly.â
âYou approve?â
âApprove?â She weighed this as they walked. âPerhaps not, but itâs easy to be intrigued by things that happened nearly a hundred years ago. Evil can become romantic after a certain period of time, donât you think?â
âIâve never looked at it quite that way.â
âThatâs because you have a very firm grip on whatâs right and whatâs wrong.â
He stopped and, because their arms were linked, Kirby stopped beside him. He looked down at her with an intensity that put her on guard. âAnd you?â
She opened her mouth, then closed it again before she could say something foolish. âLetâs just say Iâm flexible. Youâll enjoy this room,â she said, pushing open a door. âItâs rather sturdy and staid.â
Taking the insult in stride, Adam walked through with her. For nearly an hour they wandered from room to room. It occurred to him that heâd underestimated the sheer size of the place. Halls snaked and angled, rooms popped up where they were least expected, some tiny, some enormous. Unless he got very, very lucky, Adam concluded, the job would take him a great deal of time.
Pushing open two heavy, carved doors, Kirby led him into the library. It had two levels and was the size of an average two-bedroom apartment. Faded Persian rugs were scattered over the floor. The far wall was glassed in the small diamond panes that graced most of the windows in the house. The rest of the walls were lined floor to ceiling with books. A glance showed Chaucer standing beside D. H. Lawrence. Stephen King leaned against Milton. There wasnât even the pretense of organization, but there was the rich smell of leather, dust and lemon oil.
The books dominated the room and left no space for paintings. But there was sculpture.
Adam crossed the room and lifted a figure of a stallion carved in walnut. Freedom, grace, movement, seemed to vibrate in his hands. He could almost hear the steady heartbeat against his palm.
There was a bronze bust of Fairchild on a high, round stand. The artist had captured the puckishness, the energy, but more, sheâd captured a gentleness and generosity Adam had yet to see.
In silence, he wandered the room, examining each piece as Kirby looked on. He made