approaches. That I
do
know.â
Conor tried to imagine this sturdy, red-haired girl turning into a wispy ghost in the form of an old hag.
She poked him in the chest. âIf I should transformââ
âI know, I know. Anyone who sees you will die.â Conorâs spine turned to ice. âYou keened before, outside. Did anybody see you?â
âIf they did, theyâre before the Lady now. Dead, I suppose youâd say. Dear Departed.â
Forgetting to be quiet, Conor rushed to the front hall window. He hurled it open and thrust his head out. No corpses on the moonlit sidewalk. He almost cried with relief.
âPixie?â His mother, from his parentsâ room, sounding sleepy. âWhat are you doing?â
âJust . . . just throwing a dead spider outside.â
âAnother one? Why didnât you throw it out your own window?â
There was no good answer. âI donât know.â
âGo to sleep, Pixie. Itâs late.â
As he closed the window, he heard his fatherâs blanket-muffled voice. âWhat does he think, the dead spiderâs going to crawl in his window and get him back?â
âGo to sleep, Brian.â
Conor crept back to his room and shut the door.
I have to get some sleep. Itâs a school night.
âNobody dead?â Ashling was standing on his bed for a closer look at his Grand Canyon poster.
âYou donât care?â
She regarded him calmly. âWhy should I? They go to the Lady, get another life.â
âYou said your life was cruelly taken from you by the dreaded raiders of the Dahl Fyetâugh. Other people donât like losing their lives, either.â
Ashling lifted off from the bed and floated to the floor. This time, her braid stayed in midair. She looked like she was underwater.
Exhaustion dropped on Conor like an ax. He wanted it to be four hours ago, when all he had to worry about was pre-algebra and a spider in his sheets. âIâm going to bed. See you in the morning.â
âGood night, Conor-boy.â She crawled back into the cupboard and pulled the door shut behind her.
Conor got to sleep at daybreak. When he woke an hour later, he again convinced himself it had all been a bad dream. But he peeked into the game cupboard and there was Ashling, sound asleep, red hair unbraided and spread out on the pillow, red cloak over her like a blanket, her shoes stashed on top of Monopoly.
The game cupboard smelled like woodsmoke and wet earth. As he crouched there, watching her and wondering what would happen next, Conor thought he heard . . . something, a lone flute, the tune just beyond the reach of his memory. The back of his neck prickled.
Somebody coughed, down in the kitchen. Conor froze. Was somebody sick?
Out the bedroom door, down the stairs in a panicky blur. He skidded into the kitchen to see his parents standing back to back near the coffeemaker, shoulders tense, each with a folded section of the newspaper in hand. His mother was dressed for work at the clinic. His father was in his mailman uniform, his feet pointed toward the back door.
Glennie was ready for school, peering hopefully into the granola sack even though she knew the contents never had been and never would be Honey-Glazed Nutsos.
âItâs seven-oh-five,â his mom said when she saw Conor. âWhere are your clothes?â
âWhoâs sick?â Conor panted.
Everybody stared at him as if he were some kind of Nutso himself.
âNobodyâs sick,â his dad replied. âMy watch says seven-oh-seven.â
âSomebody coughed.â
âThat was me,â said his mom. âI choked on some granola.â
âStuff could kill ya,â his dad said. âWhyâre you still in your pjâs? What time you think it is?â
âThereâs . . . thereâs a thing,â Conor said.
âThereâs always a thing,â Glennie said
Charles Murray, Catherine Bly Cox