hadnât heard in a long time. Fear?
My stomach twisted.
Weâd only been home an hour and a half, so he couldnât have been home much before us. Trouble comes quickly. In my experience itâs usually stomping a blood trail across a pristine floor.
âWhat?â
âBeen called back to the office. We have a possible new case.â
If he was calling me from the office, he hadnât been home at all. He mustâve gone in to do something when the call came through.
âSince when?â And since when does he say a âpossibleâ new case? If we received a call, that alone meant there was enough concern to make it a probable case.
âI got the call thirty minutes ago. Itâs an unusual one, Ellie.â
âHow unusual?â
âYou might find elements of this case familiar.â Caine stopped speaking, leaving a hollow sound on the line.
A groan sounded in my head. This was hard work. He wasnât giving me a lot to go on.
âOkay ⦠What do you want me to do?â
âI want you to run the investigation.â He paused. His words idled in space, then he said, âLee says thereâs a poem.â
My blood suddenly felt cold. Thoughts swirled in my head. A poem: we hadnât encountered a poem in a crime scene since The Son of Shakespeare case.
Coincidence?
Iâd been thinking about him earlier.
Coincidence?
Focus, Ellie, focus. I tried. I really did but something else surfaced, triggered by the thought of a crime scene poem â or maybe the Valium had worn off.
***
âWe found this on the body in your trunk.â He removed a yellow Post-it note with the tweezers and showed it to me. The writing was smeared with blood but still legible.
â âCream of the crop, heâs missing his top, no more meals à la gourmet . Breakfast of champions is not Special K.â â I read it aloud. âI donât even want to ask if that means his head was hacked off.â
âIt was removed from the body. We found it under his legs,â Caine said. âNow get out of here,â He dropped the Post-it back into the bag. âStay in touch. Stay safe.â
***
âEllie?â
âRight here,â I replied. âWhere and when?â
I listened to a long stretch of quiet before he spoke again.
âI want you in Alexandria A-sap. Lee and Sam are on scene. Lee called this to our attention. He took a call from the local police asking for assistance.â
âYou coming?â
The entire conversation seemed punctuated by Caineâs silences. I didnât like it.
âCaine?â
âThis is yours, Ellie. Youâre Supervising Special Agent on this one. Iâll be with the Director for a while.â He paused and before he spoke again, I heard paper moving on his desk and knew from experience he was pulling an all-nighter on something for the Director. âIâll meet up with you as soon as I can.â
Part of me wanted him to walk me through this. Another part knew I could do it and there was no way Caine would let me loose if he didnât have faith in me. Heâd promoted me over the phone. Now thatâs bizarre.
âTake care, Ellie.â
âWeâll see you soon, yeah?â
âYeah.â
The line went dead. Mac took the phone from my hand.
âHow bad?â
I shook my head. âI donât know yet; itâs my case, thatâs all I know. Well, that and Caine just told me I was a Supervising Special Agent, not an acting SSA.â
I could see no sense in worrying Mac with the poem thing until Iâd viewed it for myself and had a handle on what was happening, so I tried diverting us both with the Supervising Special Agent thing. Was I ready to go up a pay scale?
I watched his face. He was concerned. But then: âSSA,â he said, with a grin that wiped away all remnants of concern.
âThereâs a crime scene in Alexandria; Lee and Sam