because technically I am a child.â
I meet her eyes, which contain every possible emotion. I expect to see frustration and annoyance, but I see so much more. She looks almost angry, and that makes her look almost strong.
âI donât understand why you canât see a movie,â I say. âI donât get it.â
âWe can watch TV. We have popcorn.â
I wipe my cheeks dry. âI want to go out.â
âGet your bike, then.â
âI hate your cancer!â My voice rises an octave with each word. I turn back around. This will be our last summer together, the last time sheâll be here when we come home from the last day of school. Just one instance in a long series of last occasions: last Fourth of July, last daylight savings, last birthdays.
Mom is the only person who can be quieter than me.
âI really hate it.â I throw a spoon into the dishwasher, butit hits the floor. I throw another one and then slam the dishwasher shut.
She absorbs my tantrum. A minute passes before she leaves the kitchen without a word.
I drove her to her room, probably for the rest of the day, now ruined.
Iâm alone with my chores, I think, as I wipe down the counter and kitchen table, sweeping the crumbs into the palm of my hand. I leave Momâs mug of tea, still warm.
An empty box from the clinic, once filled with vitamins and medication, blocks the entrance to the family room. I kick it aside, a little too hard. Consumed by the final weeks of school, we havenât bothered to pick up after ourselves. Art supplies, a torn Twister mat, books, magazines, and at least two dozen records cover the family room floor. She is sick. She doesnât feel well. She canât help it, I remind myself as I slide the records into their assigned places, following Dadâs instructions: alphabetical order by the name of the band. Even with the albums and books returned to shelves, the room looks nothing like it once did, back when Mom organized piles of clutter. Now, water stains cover the end tables, overlapping concentric circles distorting the wood, which I cover with a fan of old Seventeen magazines.
I look up when she clears her throat. Mom hugs her pillow, and car keys dangle from her hand.
âIâd better drive,â she says. âYou havenât had enough practice.â
âI thought you didnât feel well enough,â I say.
âIâll manage. I can nap in the theater if I need to.â
Iâm being selfish. A baby. Already, she looks paler than just five minutes ago. âIâm sorry, Mom.â
âItâs the last day of school. Youâre rightâwe should celebrate.â
She joins me in the family room, lowering herself onto the couch as though the soft cushion will somehow hurt. âYouâre missing a lot because of me. I know youâre disappointed about music camp.â She runs her hand through my tangled hair, liberating knots. âI know how hard you work. I know what you do for me. I forget to thank you, sweetie.â
I rest my head in her lap. âWe donât have to go.â
âBut I want to. Youâre right, a movie shouldnât be too taxing.â
I wrap my arms around her, wanting to be as close as possible, anything to keep her next to me. I want to stop thinking of today, or any day, as being numbered, a cruel countdown.
âI donât care what we see,â I say.
âGood, because I have it planned out. Now, please help me up.â
We drive for twenty minutes, away from the border, leaving San Diego and heading toward the northern part of the county. Brush replaces grass as we follow the ocean. Her fingers circle the steering wheel, and her wedding ring glints in the sunlight. When we finally pull into the parkinglot, she says, âLetâs save Bad News Bears for Marie. How does Carrie sound?â
She knows Iâve been dying to see it, any horror movie where chaos and murder
Howard E. Wasdin and Stephen Templin