didn’t lunge into the arms of anyone who tried to hug her or cover herself with handmade bracelets, did people think she wasn’t grieving?
She grieved every day, all the time, with every atom of her body.
You could find your way out of a foxhole in Siberia, girl
. Diana’s voice found her as she passed Hebert’s whitewashed Bait Shack and turned left onto the gravel road lined by tall stalks of sugarcane. The land on either side of this three-mile stretch of road between New Iberia and Lafayette was some of the prettiest in three parishes: huge live oak trees carving out blue sky, high fields dotted with wild periwinkles in the spring, a lone flat-roofed trailer on stilts about a quarter of a mile back from the road. Diana used to love this part of the drive to Lafayette. She called it “the last gasp of country before civilization.”
Eureka hadn’t been on this road since before Diana died.She’d turned here so casually, not thinking it would hurt, but suddenly she couldn’t breathe. Every day some new pain found her, stabbed her, as if grief were the foxhole she would see no way out of until she died.
She almost stopped the car to get out and run. When she was running, she didn’t think. Her mind cleared, oak trees’ arms embraced her with their fuzzy Spanish moss, and she was just feet pounding, legs burning, heart beating, arms pumping, blending into trails until she became something far away.
She thought of the meet. Maybe she could channel desperation into something useful. If she could just make it back to school in time …
The week before, the last of the heavy casts she’d had to wear on her shattered wrists (the right one had been broken so severely it had to be reset three times) had finally been sawed off. She’d hated wearing the thing and couldn’t wait to see it shredded. But last week, when the orthopedist tossed the cast in the trash and pronounced her healed, it sounded like a joke.
As Eureka pulled up to a four-way stop sign on the empty road, bay branches bent in an arc over the sunroof. She pushed the green sleeve of her school cardigan up. She turned her right wrist over a few times, studying her forearm. The skin was as pale as the petal of a magnolia. Her right arm’s circumference seemed to have shrunk to half the sizeof her left. It looked freakish. It made Eureka ashamed. Then she became ashamed of her shame. She was alive; her mother wasn’t—
Tires screeched behind her. A hard
bump
split her lips open in a yelp of shock as Magda lurched forward. Eureka’s foot ground against the brake. The airbag bloomed like a jellyfish. The force of the rough fabric stung her cheeks and nose. Her head snapped against the headrest. She gasped, the wind knocked out of her, as every muscle in her body clenched. The din of crunching metal made the music on the stereo sound eerily new. Eureka listened to it for a moment, hearing the lyric “always not fair” before she realized she’d been hit.
Her eyes shot open and she jerked at the door handle, forgetting she had her seat belt on. When she lifted her foot off the brake, the car rolled forward until she jerked it into park. She turned Magda off. Her hands flailed under the deflating airbag. She was desperate to free herself.
A shadow fell across her body, giving her the strangest sense of déjà vu. Someone was outside the car, looking in.
She looked up—
“You,” she whispered involuntarily.
She had never seen the boy before. His skin was as pale as her uncasted arm, but his eyes were turquoise, like the ocean in Miami, and this made her think of Diana. She sensed sadness in their depths, like shadows in the sea. His hair was blond, not too short, a little wavy at the top. She could tellthere were plenty of muscles under his white button-down. Straight nose, square jaw, full lips—the kid looked like Paul Newman from Diana’s favorite movie,
Hud
, except he was so pale.
“You could help me!” she heard herself shout at