the Presentation Arts team. The house lights dimmed, replaced by a diffuse light from above that gave the sense of a cloudy morning. Smoke drifted across the warehouse floor. From the back, soldiers in Turkish army uniforms started working their way through the debris, slipping from wall to wall, AK-74 assault rifles at the ready.
Alex settled behind the control table with the other technicians to monitor the show. They were visible to the audience, but off to the side, not part of the action. Vijay took a back seat, monitoring them rather than actually participating. He was more familiar with the design than he was with the actual hands-on controls. That left Alex, Tequila, and their two programming experts, Rod Zeidman and Lisa Mancini. Tequila was tall, but Lisa was perhaps the tallest woman Alex had ever met, an occasional bodybuilder who climbed mountains in her free time and intimidated every man she met. Rod, by contrast, was short, red-haired, with a little-boy-cute face that make him look fifteen years younger than he really was. The five of them made up the Lockheed Martin team. Hundreds of others had worked on the program in some capacity, but the five of them were principle contributors, the ones best suited to run this demonstration. Alex was the youngest of them, but she liked to think she could hold her own.
âDo it like we practiced it,â Vijay whispered.
âNo problem,â Rod said. âWeâve got this one in the bag.â
âDonât say that!â Vijay said, his voice rising almost to panic. âDo you want to jinx the whole thing?â
âA little jinx never stopped us before,â Rod said. âBring it on.â
He tapped a control, and the music stopped. On the warehouse floor, a single American marine stood up from where he had been hiding. He was exposed, in full view of the enemy Turkish soldiers. He had no weapon. On her screens, Alex could see what the marine could see. He wore eyejack lenses, not significantly different from those that had been on the public market for years. In his view, the scene was clearly lit, with each enemy soldier highlighted in yellowâeven those still crouching behind walls. A larger screen above the VIP stage showed the audience the same view.
So far, it was standard military technology, nothing out of the ordinary. The Turkish soldiers approached, shouting at the American, who put his hands on his head, apparently docile. Then he attacked.
The American flicked his eyes at icons that overlaid his vision, an intuitive interface in a style familiar to most elementary school children. The functions he accessed, however, were a far cry from direction finders and entertainment videos. The rifles spun out of the Turkish soldiersâ hands, flipping through the air and clattering to the ground far away before they could fire a shot. The Turks shouted in surprise, and thenâsomewhat unrealistically, in Alexâs opinionâcharged the American unarmed. They met the same fate as their weapons. The American didnât even move, but the Turks twisted up into the air, screaming, and were slammed into the ground or thrown over walls. The lights came up to applause. The first scenario of the day had finished without a hitch.
Alex could tell the difference between those whoâd seen the technology before and those who hadnât. The âsoldiersâ were stunt men, hired for the occasion, and the demo was carefully choreographed, but the technology was real. There were no wires, no tricks, and the visuals had been designed to make that obvious. Those who had never seen it before were stunned, still staring out at the field with their mouths hanging slack. They had grown up taking technological miracles in stride, but this was a leap beyond, into the realm of the wizards and Jedi of their youth. This was magic. And it was only the beginning.
Stanley Babington took the podium next, describing the technology and its