U.S. senator (1944) and the end of his third (1953).
Another box on page 16 contained an update on the doings of a Protestant minister by the name of Philip Stites, who according to the Globe had six months earlier moved his Church of Action in Christ up to Boston from Fayetteville, North Carolina, with the stated intention of “eliminating abortion in the Commonwealth.” Stites’s followers were attacking fetal murder by standing at the doors of clinics. On Friday evening people of conscience from thirty-one states and possessions had marched to the third in a series of protest rallies in downtown Boston; in a subsequent television interview Stites said the earthquake had come close to striking “the epicenter of butchery,” by which he meant the Massachusetts State House. God (he let it be inferred) was angry with the Commonwealth. Like the Church of Action in Christ, He would not rest until the slaughter of the unborn had ceased. “Look for me everywhere,” Stites said.
“I was at the Foodmaster,” John Mullins said above the rain and arpeggios. “I thought it was the old nerves.”
Victim Was a Writer
Rita Damiano Kernaghan, whose death was the only one reported in yesterday’s earthquake in Ipswich, was a popular lecturer on the local New Age circuit and the author of three books on inspirational topics. She was 68 years old.
Kernaghan was perhaps best known for the battle she and the Town of Ipswich had waged since 1986 concerning the pyramidal structure she erected on the roof of her home, a farmhouse built within the town limits of Ipswich in 1765 and enlarged in 1623 under the direction of George Stonemarsh, a leading post-Revolutionary era architect.
In 1987 the Ipswich Town Meeting conceded that a clerical error had resulted in the granting of a building permit for the pyramid, and acted to retroactively enforce the local landmarks-preservation code and ordered the removal of the pyramid. Kernaghan sued the town in 1988 and later refused an out-of-court settlement under which the town would have paid the cost of removing the pyramid and restoring the house to its original 1823 design.
Kernaghan maintained that her right to build the pyramid—a geometrical form held by some to exert healing and preservative influences—is a First Amendment issue, rooted in the separation of church and state. The case, still unresolved, has become a cause celebre in the north-suburban New Age community.
Kernaghan, whose printed works include “Beginning Life at 60,” “Star Children,” and the recently published “Princess of Italy,” was the widow of Boston attorney John Alfred Kernaghan. She is survived by a step-daughter, Melanie Holland of Cleveland.
Higher and higher the soprano’s fundamentals rose, a slow upward spiral of hysteria. Louis was frowning, his pinky on the bridge of his glasses, his fingertips on his hairline, his thumb on his jaw. The thing he couldn’t stop looking at was his mother’s name. Not because the Globe had stuck her in Cleveland but for the name’s sheer personal resonant presence in print on paper. Melanie Holland : this was his mother, peculiarly reduced. Two words in a Boston paper.
Still frowning, and also beginning now to shiver, as if when the raindrops hit the windowpanes behind him their chill came right on through, he looked again at the boxed article about the Reverend Philip Stites. “ Up Tremont Street ,” it said, “ and across the Common to the steps of the State House .” The facts were consistent with what Louis himself had seen of the march—consistent in a deep way, because the article, like memory, like dreams, reduced the event to an idea, illuminated not by twilight and streetlight but by its own light, in the darkness of his head: he saw it because he knew that this was what had happened, because he knew that this was how things had been. And therefore it seemed to him that it could only be raining this morning. The rain had to be there to make this
Katherine Alice Applegate