dumb.â
âNot as if the tickets are exactly cheap or anything,â the girl said.
âYour father paid for yours,â the boy said with the disdain only an adolescent can summon.
âItâs still money, Don.â
I was a quarter of the way into the vodka and soda. Not a hint of upset tummy. All seemed copacetic with my gastric world. Annie was still writing in her notebook and still oblivious of my manly presence in the restaurant. Would she have sensed the aura of Dennis Quaid?
âWeâve already seen Stolen Kisses on TV about three times, Karen,â Don said to the girl with the perfect complexion. She had blonde hair and a little bow mouth to go with the skin.
âPlus itâs on VCR,â Karen said.
âThe only thingââ
Karen talked over Don. She said, her turn for disdain, âI know what youâre going to say, Don. Itâs not the same on small screen.â
âThe values, Karen,â Don said. âYou have to admit.â
âI still think itâs ridiculous to miss a new David Lynch,â Karen said. âThereâs probably going to be a hundred more Truffaut retrospectives besides this one. He is dead after all.â
Don and Karen were scrutinizing their Festival of Festivals schedule. The schedule folded accordion-style. Open, it covered most of Don and Karenâs table. The Festival ran eleven days and screened maybe two hundred movies. Don and Karen may have been going for the all-time, all-world attendance record. On their schedule, there were tick marks beside four or five movies on each day. The theatres the Festival used were in midtown, an easy hike from the Belair, and Helga Stephensonâs offices were around the corner on Yorkville Avenue. Proximity qualified the Belair as the Festivalâs unofficial watering hole. It was done in peach and grey and ficus plants and had a pianist in the bar who didnât gag at playing âFeelingsâ half a dozen times an evening. Bernardo Bertolucci once took Perrier at the Belair. I had Karenâs word for it.
Across the room, Helga Stephenson talked, Annie wrote, and fatso jiggled. Don and Karen stewed over the Sunday-morning blank space. I willed them to take the old François Truffaut instead of the new Dave Lynch. When I saw Blue Velvet , I came down with a severe case of the heebie-jeebies. To celebrate my recovery from the Wyborowa trauma of the night before, I asked the waiter for another vodka and soda.
Don cranked his head around the room and turned back to Karen in high excitement.
âRoger Ebert,â he said. His voice cracked.
âOh wild,â Karen said. Her voice didnât crack. âWith those two women in the corner.â
Don and Karen had it right. Roger Ebert was the jiggler with Annie and Helga Stephenson. Could Gene Siskel be far behind?
Annie folded her notebook, stood up, and smiled at Helga and Roger. Annie had a sneaky smile. She turned it on, and you felt select. She turned it off, and you noticed an ache in your heart that didnât use to be there. Annie was petite, as they would say in Vogue . No bigger than a minute, as my old mother would have said. Her hair was black like midnight is black, and she wore it cut in a tight cap around her head. She had on a pale-blue denim dress that buttoned down the front and stopped within hailing distance of her knees. Her leather shoes, flats, were the same pale-blue, and the only jewellery that adorned her person was a small gold pocket watch on a gold chain around her neck. Annie saw me, and I got the smile. I knew all about the ache in the heart. So far, two years of Annie and me, the ache hadnât come close to permanent.
âArenât you just full of surprises,â Annie said. She leaned over my table and kissed me lightly on the lips.âYouâre supposed to be in court. Your Arizona man.â
âThe judge gave us a holiday,â I said. âYou were in swift