antisocial urges? Conrad wasnât like that. Their family wasnât like that. Their family was bookish and liberal, not martial and authoritarian.
But Conrad shook his head. âNot really. Itâs kind of a continuum. The classical writers love war, thatâs their main subject. Being a soldier was the whole deal, the central experience. Thatâs what first got me interested. Sparta. The Peloponnesian War, the Iliad . Thucydides, Homer, Tacitus. I wanted to see what it was like.â He shrugged uncomfortably. âIt seems like itâs the great thing. The great challenge.â He looked at them.
Traitorously, Marshall nodded again. âI see.â
âBut that was different,â said Lydia. âThe Greeks were all at war with each other. We arenât at war. Being a soldier isnât central now.â
âItâs the idea,â Conrad said. âBeing a soldier is elemental. Itâs kind of primal. And I want to defend our country.â
âDefend it from what?â Lydia asked. âThis is 2001, not 1941. We have no enemies.â
Conrad shook his head. âItâs the idea of it,â he said again. âI want to do something serious, something that will make a difference.â
It all seemed adolescent to her, that absurd male sentimentality about violence. There were other ways to make a difference, why choose something so hostile, so alien?
âArenât there other things you can do?â she asked. âWhat about the Peace Corps?â
âThe Peace Corps is lame,â Conrad said. âAnd ineffective.â
âBut this is so violent,â Lydia said. âThe millitary is a culture of violence. Every solution is violent.â
âFirst of all, no itâs not,â Conrad said. âSecond of all, the military is called in only when all other solutions have failed. When itâs necessary. Do you think nonviolent resistance would have worked against Hitler?â
There was a pause.
âWhat does Claire say about it?â Lydia asked. She was hoping for solidarity.
Conrad swallowed. âSheâs fine with it.â He nodded. This was not entirely true.
Lydia nodded, watching him.
âI mean, she was surprised,â Conrad admitted, âbut sheâs supportive.â Also not entirely true, but anyway they hadnât broken up over it.
Lydia said nothing.
âI can see youâre horrified by this,â Conrad said.
âNo, no.â Lydia shook her head. She was horrified.
Conrad began to explain, stroking the cat. Electricity began to crackle in Murphyâs fur. Irritated, the cat jerked her head with each stroke, swishing her tail back and forth while Conrad told them about the Marines. The language he used reminded Lydia of ancient myths, Nordic sagas, King Arthur. Courage and loyalty, Conrad said. Commitment, a code of honor. All straight from the ancient world, from Sparta. Semper Fidelis.
Lydia watched him as he talked, the early light flooding in from the window, across his face. He looked like both of them: he had Marshallâs wide jaw, his long, straight nose, his light coloring, pale hair, smooth, creamy skin. He had Lydiaâs slanting eyes, though Conradâs were blue. He was theirs, he was of them, he represented them. He was carrying them into the future. How could he be so wrong, so unlike them?
His body had become solid. She saw that it was, really, now a manâs: the chest springing strongly outward, the arms muscled and firm. His face was lit from within by youth; his features were precise. The brave, mournful eyes, the smooth, powerful arms, the slanting cords in his neck: his beauty was borne in on her. He canât be risked, Lydia thought.
He talked earnestly, looking up at them, looking down at the cat.
Someone had come to Williams and given a talk about the Marines. It was inspirational. A professor stood up and challenged the speaker, saying that the