for tall tales.
Maybe you ainât never had a tale tall enough.
Donât matter how tall if it donât do nothing.
Eli smiled. You donât believe me.
He could feel the bus rolling over the uneven country, a deep tremble plucking at his groin.
Let me show you something.
Eli unbuckled his belt and slid his hand down his waistband.
Whatâre you doing?
He brought out his hand and in his palm was a small flannel bag. The woman let out a surprised laugh, then clapped her hand over her mouth. He untied the drawstring and took out a round dark pit.
This here is my little devil.
Oh, a little devil? Is that it?, she said, pouting.
Eli ignored her.
Itâs got powers on it. He held it out in front of her, rolling it gently in his fingers.
Go on now.
Itâs true.
Snuck it right from under that gypsy woman.
Whatâs it do?
Whatâs it look like to you?
It was dark and round and shriveled.
It looks like a manâs . . . well, a manâs part.
Thatâs right, he said. He danced the pit dreamily in front of her, first in front of her eyes, then under her nose, grazing her upper lip.
His other hand settled lightly on her knee. He drew swirls gently on her skin.
All I got to do is give it a little rub right here, he whispered.
He passed his thumb over the ridges of the pit. A warm musk flowed from his fingertips and he glided his hand up her thigh.
Can I hold it? she asked softly.
He brushed the pit gently around the underside of her palm, then up the curve of her wrist, away from her stretching fingers. He could smell her honeyed sweat now, through her perfume. His frenzied blood ached under his skin.
Just a little rub right here.
H e was born Elijah Philip Cutter outside of Natchez in Adams Countyâgray and small and out of breathâa caul across his brow. When he was two, his mama cut out to California with a man that mightâve been his daddy, leaving Eli to his grandma to raise up. He was a sickly boy. At night he could not breathe and would instead sit up in his bunk, his lungs filling with panic, and heâd listen, the rusty harp inside his throat, the ringing of the bottle tree.
When he was five, his grandma took him down to the small one-room shack out beyond the rail yard water station. All around he could hear the great breaths of steam let out from the chimneys. The house sat out beyond the weeds, its walls soot stained and ivied. His grandma unlatched the door and guided Eli in. There was hardly any light. He could barely make out the shelves that lined the walls, the dark dusty jars of powder and bone. There was a great shifting breath. He almost did not see him, sitting there on the bed. He was old, his eyes two milky orbs inside his skull.
The Devilâs in your throat, his grandma said. It got to come out.
The man laid his frail hand upon the boyâs body and undid the buttons one by one. The fabric fell quietly away. On his open chest, the man pressed his ear. He listened for the rattle of his soul.
When he was done, the man had him lie down on a sheet of wax paper. Eli looked at his grandma, who only nodded approvingly, and he obeyed. He spread himself out on top of the thin paper, and the man knelt down and lit a candle at his feet.
Shut your eyes, his grandma said.
Above him, the man moved, shifting his weight, the floor straining against the balls of his feet. Eli could hear his hands, hear the wet slick of oil between the manâs palms as he rubbed them together. A band of warmth stretched across his chest.
Donât move.
The heat was unbearable. It lay heavy like a second skin. He could feel the sweat between his shoulder blades, gathering along the ridge of his spine. It traveled down and down, a cold pearl at the base of his back.
And inside, he could feel the small thing fighting in his chest, struggling against the root manâs ministrations. The Devil rustled. His lungs filled with feathers. There were hands upon
George R. R. Martin and Gardner Dozois