than television.
But he didnât keep his exclusive hold on her for long. Robin Laughton, the hearty Floor Manager, who appeared now to be in a lager-drinking situation, joined them. Charles found two people talking about television more than he could take, and slipped away to rejoin Gerald.
On his way across, he was accosted by another familiar figure. It was Walter Proud, who had produced Charlesâs previous, and ill-fated, excursion into West End Television comedy.
The New Barber and Pole Show.
He had lost more hair and there was a wildness in his eyes. âHello, Charles, howâd the show go?â
Charles shrugged. âThose who know about such things seem to think it was okay.â
âGreat, great. If youâre going over to talk to Nigel Frisch, Iâll join you.â
Something rang warning bells for Charles. âWell, no, I wasnât particularly . . . What are you working on here?â
âNothing right now, actually. Got one or two projects sort of around, but, er, nothing right now.â The confession was transparent. Walter Proud was out of work. Heâd left his BBC staff job a few years before, and since then had a discontinuous sequence of short contracts with the various commercial companies. âNo. actually. I came down here to see a few chums, see if there was anything going.â
âAny luck?â
âDonât think so. I had a word with a girl who was my PA on something I did here, girl called Sadie Wainwright, but she . . . No, there doesnât seem to be much around.â
Walterâs dismal tone suggested that Sadie had choked him off rather in the same way she had everyone else.
âOh well, somethingâll turn up,â said Charles blandly.
âHope so. Actually, if you are going across to see Nigel Frisch ââ
But Charles was saved embarrassment by the arrival of Scott Newton. The young man looked awful. He had no colour, and his face gleamed with a fine sweat. âHello, Charles,â he cried, with a sad attempt at conviviality. âLovely performance. Can I get you a drink?â
âI think Iâd better get you one. You look terrible.â
âNo, Iâm okay now. Had some sort of bilious bug, donât know, must have been something I ate.â
Charles caught the sour whiff of the young man s breath. He had obviously just been very sick. Something heâd eaten . . . or, more likely, just the nervous pressures of the day.
âBy the way, do you know Walter Proud? Youâre both BBC renegades, so perhaps youâve . . .â
But no, they hadnât. Charles introduced them.
âYou came after the big money too, did you?â asked Walter ironically.
Scott replied in the same tone. âBigger, maybe, but not big enough. I seem to have even less since I made the move.â
âIf thatâs the case, then let me buy you a drink.â
âNo, no, things arenât that bad.â
They argued a bit, but Walter didnât need much convincing and Scott walked unsteadily to the bar.
âAnd heâs directing you, Charles?â The question was incredulous.
âYes.â
âGod, kids like that get jobs, while people with experience . . . If I had my way ââ
But Charles never found out what would happen if Walter Proud had his way. The door from the fire escape into the bar suddenly burst open to admit Mort Verdon, waving his arms and screaming.
He was making so much noise that everyone was distracted and gathered round him, trying to find out the cause of his agitation.
Charles and Robin Laughton understood at the same moment that it was something he had seen outside on the fire escape, and rushed to the door. Most of the rest of the crowd followed.
It was after half-past ten and dark outside. Charles look down the fire escape, but could see nothing untoward. The car park below was shrouded in darkness.
Then a departing member of West End