going to commit itself to the vast outlay involved in contracting him for the next series, then theyâd be bound to go ahead with it, he reasoned. âOh well, thatâs nice to hear, Nigel,â he said, recapturing some of his casualness and bonhomie. âLet me get you a drink to celebrate.â
âIâll have a Perrier water,â said the Director of Programmes.
At that moment George Birkitt and Rod Tisdale arrived in the bar and joined the circle. Having assured Peter Lipscombe (whose finger was still bleeding slightly) that everything was okay, the former, on whom the strains of the day were beginning to tell, ordered a quadruple brandy and the latter a half of lager.
âYou pleased, Rod?â asked Nigel Frisch.
âAll right,â the writer replied without excitement. âSixty-six.â
âI beg your pardon.â
âThere were seventy-four jokes in the script. Sixty-six of them got laughs.â
âAh.â
Charles slipped away from the gushing crowd. His system could only tolerate small doses of show-biz glamour. And Jane Lewis, the Trainee PA, had just come into the bar and was standing on her own.
âCan I get you a drink, Jane?â
âItâs Janey.â
âSorry.â
âJaney. With an E-Y. I decided thatâd look better on the roller.â
âRoller?â
âRoller-caption. My credit at the end of the programme. Janeâs so ordinary.â
âOh. Yes. Janey then, would you like a drink?â
âBacardi coke, please.â
Charles engaged the attention of the barman who wasnât coping with Peter Lipscombeâs latest massive order, got the drinks and was encouraged to see that Jane â or rather Janey â was still alone when he returned.
She raised her glass. âTo the success of the show.â
âHear, hear.â He took a long swallow. He was beginning to feel the effect of the dayâs drinking. âHowâd you think it went?â
âPart One was about 43 seconds over and Part Two was 1-17 over, but Sadie reckons theyâll edit all right. And weâre not certain that VTR was stable on one of the Rollback and Mixes.â
âOh,â said Charles. âBut what about the show itself?â
She looked at him blankly. âIâve said. It was exactly two minutes over in all.â
âYes.â He paused. âWhat do you go on to after this?â
âNext Iâm trailing the outside filming on the age-ist series.â
âAge-ist series?â
âYes. W. E .T.âs just started a new unit for programmes for the elderly. Going to be presented by Ian Reynolds, whoâs nearly eighty. Phil Middleton â thatâs the director â said a lot of people would go for someone like Robert Carton as presenter, but heâs too boring.â
âAh.â Janey Lewis was clearly one of those girls who quoted irrelevant conversations verbatim. âAnd after that?â Charles asked.
âDonât know. Iâd like to get on to another Light Entertainment show, but I donât know. Iâd like to get on to the
Wragg and Bowen
show.â
âAh,â said Charles ambiguously, as if he just might know what she was talking about.
âYouâve heard, havenât you, that W.E.T.âs just bought
Wragg and Bowen
from the Beeb?â
âOf course,â Charles lied.
âGoing to be a huge show, that one. I mean, Wragg and Bowen are definitely the best double act in the country. Theyâre going to be paid ten thousand a week, each.â
âOh. Whatâs the show going to be like?â
âI donât think thatâs been worked out yet.â
âAh.â Their conversation stagnated. Charles was feeling randy with the alcohol and didnât want to leave her. She was a remarkably attractive girl with that black hair and pale skin. Nice shape, too. If only she could talk about something other