Sing Down the Moon
heard the Señora's voice and the closing of a door somewhere.
    In a panic I threw the tortillas over the wall, then the blanket. The blanket caught on the pieces of glass and hung there. This was fortunate for me because I
was able to put the black dog on top of the wall and climb up after him. I jumped to the ground. The dog followed me and we ran. I took my blanket but I forgot the tortillas.
    People were going into the church. Nehana came out of the shadows and with her was Running Bird. Nehana did not go in but went past the door and along the side of the church. We followed her, walking carefully in the dark. We came to a ditch where water was flowing ankle deep and ran along it.
    We traveled for a long time in darkness. Then the moon rose and we came to a path, which we followed to the ridge of a low hill. Below us in a small valley, I saw a clump of cottonwood trees, lights winking among them, and nearby the outlines of a building. While we stood there, catching our breath, men and women on horseback passed us and rode down toward the lights.
    "That is where the Penitentes meet," Nehana said. "I do not belong to them but they will not harm us. It is far from town so the Penitentes come here on their horses. There will be many horses for us to choose from. Without horses they would catch us before we went far, as they caught me once."
    When we reached the cottonwood trees, Nehana told Running Bird and me to put the blankets over our heads so that only our eyes showed.
    Many horses were tethered in the Cottonwood grove, some hobbled, some tied to the trees. Nehana went slowly, looking at them as we passed. Most of them were fine horses and had bridles made of silver and turquoise. A few men were standing among the trees smoking, and a crowd was gathered in front of the church, which was long and narrow like the white man's coffin.
    "I have chosen three good horses," Nehana whispered as we left the grove. "But to take them now is unwise. We must wait for the right time. The three horses are pintos and they are tethered near the far side of the grove."
    Running Bird and I followed her into the church and stood in the back, near the door.
    "I will tell you when to leave," she whispered. "It will be when they put out the candles and everything is dark. Do not speak and keep your faces hidden. When I go, follow me quickly."
    Half the people in the church were women and they held lighted candles. The men carried leather whips tipped with pieces of iron. Everyone stood quietly, facing the altar. Clouds of sweet-smelling smoke drifted back and forth. It was very hot and hard to breathe, but I kept my head covered.
    At the far end of the church a drum began to beat. Someone played on a flute softly and a bent old man
spoke a verse and people joined him, repeating what he said.
    A tall figure suddenly appeared at the door, a man with a circle of cactus thorns around his head. He was carrying a heavy wooden cross on his back. On his face there were spots of blood.
    Nehana grasped my arm. I felt her body grow stiff beside me. As I looked at the man standing in the doorway, his mouth began to move in pain and I saw a flash of white teeth.
    "The Spaniard," Nehana whispered. "The slave catcher."
    We stood tight against the wall, holding each other by the hand. The Spaniard looked one way and the other, peering through the candle smoke at everyone, at us. I did not breathe. At last he looked away and began to stagger toward the far end of the church, as people made way for him.
    "They think he is Jesús Cristo," Nehana whispered.
    He reached the far wall and two men took the cross from his back and a man held him so he would not fall. The flute started to play again. Someone gave a loud cry, like the cry of a wounded animal, and all the candles, as if there were only one, went out at the same time.
    While the darkness settled down around us, there
was a time of awful silence. Then women began to weep and louder than the weeping
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