them about the mystery man whoâd followed Mendy.
But what did it matter who was following him if Mendy died of a heart attack?
The words âbitter almondsâ caught my ear, reminding me of English murder mysteries set in enormous country houses. What did bitter almonds smell like, anyway, and how were they different from ordinary almonds? For a wild second, I wanted to ask the nearest cop if I could goin and sniff Mendyâs breath so Iâd know for good and all.
I restrained myself. This wasnât a Dame Agatha story; it was the real death of a real man Iâd known and liked.
Correction: it was the real murder of a man Iâd known and liked.
Because Mendy wasnât a suicide. This I knew. Heâd been wholly alive, not a thought of death in his head. Heâd reveled in the discovery that there were people like us out there, people who wanted to hear his stories and relive his Hollywood glory days. People to whom the blacklist was an outrage and he a hero for enduring it.
Next question: How did you get cyanideâbecause that was the poison that smelled like bitter almondsâinto someoneâs coffee? Had Mendy put his cup down somewhere, just long enough for the killer to slip in the poison? Was it liquid or solid? Mrs. Christieâs Sparkling Cyanide made it sound liquid, which would be easier to administerâbut wouldnât it make the coffee taste bad?
The biggest question of all was why. Why was someone following Mendy? Why would anyone want him dead?
I went over to one of the cops and told him what Iâd seen. The response I got was less than satisfactory.
How did I know it was Mendy he was following? How did I know he was following anybody at all? Couldnât he have just been annoyed that Patrick bumped into him?
It wasnât just that the police werenât listening, I realized after a few minutes. They werenât listening because of who we were. One cop kept looking at Patrick as if viewing a giant cockroach, and his partner asked me several times just how old Birch was. I had a sudden realization that in the eyes of the law, I was taking advantage of a minor.
I wound up the conversation quickly, leaving the theater dejected because of Mendyâs passing, but also frustrated that the police were going to call it suicide.
But what could I do about it?
Birch, 1972
GOING TO RATNERâs was like holding a wake for Mendy. At least, that was how Birch Tate saw it. They were eating Jewish food and talking about the old man and how much theyâd liked him and how his death wasnât suicide, and that was as close to a memorial as they were ever going to get.
Scotty and Patrick were deep in discussion about how somebody could have slipped poison into Mendyâs coffee when the guy at the counter took out a little pillbox and popped a tiny white pill into his coffee and then stirred. Funny way to take a pill, Birch thought and then realized: saccharin. People put saccharin in coffee when they wanted to lose weight or if they were diabetics orâ
âThatâs it,â she said, so loudly that even the man at the counter turned around. âBecause you would,â she added, turning to Scotty.
âWould what?â
âTake a saccharin tablet if somebody offered it to you. Just like youâd take a joint. You wouldnât say, no thanks, and take out your own because that would be rude. Mendy was a diabetic, remember?â Now Birch had Scottyâs attention, and Patrickâs too. âHe put saccharin in his coffee the night we talked to him.â
âThat is sheer brilliance,â Patrick said, and Birch blushed.
âThat means the killer was in the theater,â Scotty pointed out. âMendy always had espresso from the coffee bar.â
âYeah, somebody walked up to him, opened his little pillbox first and offered him one and he said, sure, thanks, and didnât think twice.â
âWhich means