only a single floating woman.â
â Thatâs what was stolen?â I asked, recalling the painting. âWhat an odd choice. I would have takenââ
âExcuse us, please, Mrs. Brock,â Annette interrupted, seizing me by the elbow. âI have police business to see to, and I need to speak with Ms. Kincaid. A pleasure, as always.â
âAnnie Kincaid!â Agnes Brock bellowed from the doorway as Annette and I started down the museum steps. âIf that painting is returned within a fortnight, I shall ask no questions and will drop any charges against your friend. Otherwise , I shall see that he is prosecuted to the fullest extent of the law. And if the law fails, I have other resources at my disposal. Do you hear me ?â
I heard her. The tourists at Fishermanâs Wharf must have heard her. Agnes had an impressive set of pipes for a woman her age.
As Annette and I proceeded down the stairs, I thought about what Agnesâ threats might mean for Bryan. He wasnât charged with anything, but as I knew only too well a lack of proof would not deter a Brock vendetta. Agnes had enough pull in this town to make his life miserable if she put her mind to it.
Arriving at the bustling parking lot, I sagged against a dusty Ford sedan and looked up to see Annetteâs partner joining us. Inspector Wilson was a taciturn man who reminded me of Ichabod Crane: Tall and skinny, he had a prominent Adamâs apple and no discernible personality.
I nodded at him. He stared at me.
âOkay, Annie,â Annette said, snapping open her notebook. âLetâs take this from the top, shall we?â
I described recognizing that the corpse was not a sculpture and trying to convey that information to Anthony Brazil, who had not wanted to hear it. There wasnât much else to tell.
âDid you know the deceased?â Annette asked. âTentatively identified as one Seamus McGraw, sculptor?â
âNever met him. What do you mean, âtentatively identifiedâ?â I asked. âCould it be someone else?â
âUntil the coroner signs the death certificate itâs always tentative. So. Have you heard anything that might suggest why someone would want to murder McGraw?â
â Murder? I thought it was a suicide.â
âPeople who hang themselves donât chop their fingers off first,â Ichabod said self-importantly. Annette shot him a glare and he fell silent.
âChop off . . . ?â I felt bile rise in my throat.
âAny rumors about McGraw owing money, involved in drugs, anything like that?â Annette pressed.
âNo, but Iâm not exactly part of the Cityâs gallery crowd, so Iâd be unlikely to hear anything. Ask Anthony Brazil. Can I go home now?â
âNot yet,â Annette said, all business. âHow closely did you observe the condition of the body?â
âI could tell it wasnât a sculpture, but I tried not to get too close. Dead bodies arenât my strong suit.â
âDid you notice that it was covered with powder?â
I nodded.
âDo you have any idea what that powder might be?â
âMy guess would be stone dust, from cutting and shaping stone,â I said. âStone sculptors are usually surrounded by the stuff, like an artistic version of the Peanutsâ Pigpen. We used to tease them about it at school.â
âI thought McGraw sculpted in metal,â Annette said with a frown.
âMost sculptors dabble in a number of media. I saw the manager of Marble World at the show, so I assume McGraw worked in stone as well.â
âMm-hmm. Anything else about the opening seem odd or different?â
Only that Janice Hewett had hired me to retrieve Head and Torso from its sculptor, but I decided not to share that information. If the police started poking around Pascalâs studio I might lose my seat on the one-hundred-fifty-dollar-an-hour gravy train.
I