Ethel King Redding, I assumed theyâd named it after her.
Gammie, Hilda, and Aunt Nora were out in the living room, having this discussion:
GAMMIE: Hilda, do you know where youâd GET
(inhale, pause, exhale)
if you wentâdirectly
â
EAST
â
from Surf City?
MRS. WATSON: Whoop? Whoop? Whoop?
GAMMIE: EAST!
AUNT NORA: I think we should leave. I think weâre in danger!
GAMMIE: If you went EAST from Surf City, Hilda! Where do you think youâd get?
MRS. WATSON: Hm. Whoop? Mm. England? Whoop? Is it England youâd get to?
GAMMIE: SPAIN!
MRS. WATSON: Oh, no, I donât think it would beâ
GAMMIE: SPAIN!
MRS. WATSON: Portugal? Perhaps Portugal? Whoop?
GAMMIE: SPAIN! That is where you would wind up. SPAIN!
I came out of my room and stood by the card table.
Aunt Nora said, âI think we should leave. Iâm afraid!â
Gammie looked at her and rolled her eyes. âDonât listen to her, Jimmy. Sheâs just a chicken. A SCARED CHICKEN! Cluck cluck cluck.â
âI think we should leave, too,â I said.
âOh, nonsense.â
âI do,â I said.
âIf you think Iâm driving back to Philadelphia in this pouringââ
Aunt Nora took a look at me. She saw something.
âIâll drive,â she said.
âOh, you will not,â Gammie said. âDonât be an imbecile.â
âWhoop?â said Hilda.
âWeâre going to pack up and head home,â Aunt Nora shouted at Mrs. Watson. Mrs. Watson adjusted her hearing aids. They squelched. âThereâs a hurricane.â
Mrs. Watson nodded. âEntirely sensible,â she said.
âYou all go,â said Gammie. âIâm staying here.â
âWeâre all
going
,â said Aunt Nora. âEither you go, or you die,â she said. For a long moment, Aunt Nora and Gammie stared at each other.
âJimmy,â Gammie said at last. âGo get the vodka.â
Years later, Gammie announced that when she died, she wanted to be a cadaver. She donated her body to Jefferson Medical School. âWhen youâre dead, youâre dead,â she explained. She talked her friend Hilda into being a cadaver, too. It was something they did together. At the time, I was horrified by this, by the idea of my grandmotherâs corpse being the private concern of a first-year medical student in Philadelphia, opening her up and holding her liver and her heart in his hands. Did he know, as he examined her innards, that this had been someoneâs Gammie, someone who once danced on top of pianos, whose first husband nicknamed her âStardustâ?
Now Iâm less bothered by all this, though. Maybe sheâs right, when youâre dead, youâre dead. I donât know.
I looked out the back of Gammieâs Dodge Seneca as Aunt Nora drove us into the storm. The boardwalk was visible as a dark shadow against the threatening sea.
âYouâre Gammieâs little apple,â Gammie said from the seat next to me, and pinched my cheek. The windshield wipers slapped against the storm. I looked at my grandmotherâs earrings and at Mrs. Watsonâs wedding ring. Thirty-three years later, after I became a woman, my mother gave me Mrs. Watsonâs ring. Hilda and Gammie had been dead for thirteen years at that point. The ring has two big diamonds and eight little ones.
âWhoop? Whoop? Whoop?â
Aunt Nora looked at me in her rearview mirror. âItâs all right, Jimmy,â she said. âWeâre going to be safe now.â
After the Bath (Winter 1974)
I had high hopes. My parents and sister had gone out. That left me alone in the place we called the Coffin House, built by Lemuel Coffin in 1890. It was just a few days before Christmas, and the war was over. This girl named Onion was coming over while my parents were gone. There were rumors about her.
Weâd been living in the Coffin House only for a couple of years