working on. They had ornate crimson script curling across them.
âThose are pretty,â she said.
âThank you. Theyâre for the opening reception of that Hamlet exhibit your fatherâs been talking about.â Her mother glanced out the window. âSpeak of the devil.â
Hero heard the sound of her fatherâs car in the driveway. A minute later he came through the door, scattering car keys and loose change right in front of her.
He ruffled her hair. âHello, ladybird! How was the day?â
âFine,â Hero answered promptly, hoping to cut off further questions. She thought of Mrs. Rothâs comment about her fatherâs job. âHey Dad,â she said. âMrs. Roth told me the guy who sold us the house was really interested in what you do. You know, that you study Shakespeare and everything. She said itâs why he sold the house to us.â
âMrs. Roth?â Her father looked at her blankly.
âThe lady next door.â
âOh, right. Well, yes, thatâs true. Itâs an odd connection, isnât it? The wifeâs relationship to Edward de Vere, of all people.â
Now it was Heroâs turn to look blank. âWhat do you mean? Whoâs Edward de Vere?â
Her mother clucked in mock disapproval. âYou girls never pay attention to your father. He told youabout this when we went through the house after the closing.â
âHe did?â Hero had no recollection of any story about an Edward de Vere. But her father often digressed into long-winded literary lectures that she and Beatrice were in the habit of ignoring.
âIndeed I did,â her father protested. âEdward de Vere, the seventeenth Earl of Oxford, the man who might be Shakespeare. Ring a bell?â
The Earl of Oxford did vaguely ring a bell. But what did he have to do with Shakespeare, or with the Murphys for that matter? âTell me again,â Hero said.
Her father pulled a chair away from the table and sat down next to her. He ran his hand over the short scruff of his beard and leaned forward intently. âApparently, Arthur Murphyâs late wife was a descendant of Edward de Vere, the Elizabethan courtier whom some believe is the real author of Shakespeareâs plays and sonnets. The secret Shakespeare. Thereâs no proof, of course, but there are some intriguing clues.â
Hero looked at him, puzzled. âI donât get it. Why does anybody think Shakespeare didnât write his own plays?â
âWell, letâs see. Three things, really. First, William Shakespeare was a humble merchant. He had nomore than a grammar-school education and wasnât worldly or well-traveled as far as we know. Yet the plays depend on a vast knowledge of many subjects-literature, history, law, and geographyânot to mention specific details of royal life.â
âCouldnât he have learned about those things from books?â Hero asked.
âItâs possible, but the point is, he wasnât an educated man. He was an ordinary businessman, without the library or other resources of a wealthier person. Then thereâs the second reason: When Shakespeare died, there were no obituaries or public homages paid to him. Think of that: a man now considered the greatest playwright of the English language and whose work was deservedly popular in its own time. He died quietly praises unsung.â
âWhatâs the third reason?â Hero asked.
Her father tapped the edge of the table with his fingertips. âThatâs the most interesting of all. Shakespeare left behind no collection of books, no manuscripts of his plays or verses, no documents in his own handwriting that link him to the literature. Itâs very strange. Other Elizabethan playwrights and poets kept extensive libraries of their own and other writersâ material. Actually, only six signatures inShakespeareâs hand exist. Theyâre quite primitive and show