scholarship and most of his academic and athletic supplies get paid for through a special fund. Maybe it doesnât cover art supplies? If you know what to look for, you can tell his family doesnât have money, although heâs better at hiding it than most.
I traipse around Turner, holding my cup of punch. Itâs Friday night. Thereâs a better turnout than you might expect for an art show, but the boys are generous with one another. Everyoneâs clad in dress code, and some parents have shown up, a few from far away, including Gerreauxâs parents all the way from France. Speaking of . . .
âMiss Brewster!â
âMonsieur Gerreaux, nice work. Congratulations.â
âThank you.â Heâs beaming with pride and for good reason. Iâd overheard his instructor saying he should enter his project in the state competition. I bet heâll place, too. The photographs as a set are stunning. Heâs set them up so your eye is drawn to the tiniest differences in each print. As your gaze follows along, youâre left feeling like youâre being led through a dark forest at someone elseâs mercy and shown precisely what they want you to see. Itâs frustrating and thrilling at the same time. Or at least it is for me. I donât know what anyone else sees. So often Iâm left feeling like I donât live in the same world as everyone else. âMiss Brewster, these are my parents.â
Iâm greeted with a murmured â
Bonsoir, mademoiselle
,â from both of them and though I extend a hand for a shake, they kiss me on the cheeks. My reply of â
bonsoir
â is met by a stream of rapid French. Gerreaux mercifully interrupts to explain that I donât speak French. Much, anyway.
âJean-Philippe has told us you gave him the inspiration for his project,â says Madame Gerreaux.
âOh, no. Just a nudge. Thatâs all they need most of the time. Your son is very talented.â I chat with them for a few minutes until Jean-Philippe tugs them away to look at one of his roommateâs sculptures.
I wend my way through the crowd, stopping to look at each project. I loved coming down here when Iâd visit my grandfather. It was my own personal museum. Now Iâm here, pride swelling in my chest as I walk among the works theyâve put their angsty, testosterone-fueled hearts into. Iâm biased, having seen how much (in some cases literal) blood, sweat and tears have been poured into these pieces, but I think theyâre amazing.
Iâve saved a particular corner of the building for last, knowing what and who Iâll find there. When Iâve had my fill of the rest of the show and done my best art show chatterâThe composition! The dimensionality! Reminiscent of Donatello or whatever other Teenage Mutant Ninja Turtle comes to mind!âI make my way to the alcove where Shep and a couple of boys from his class have hung their work. Iâve averted my eyes for the past few days though I know whatâs going to be there. Iâve seen all of Shepâs drawings from class, so there wonât be any surprises, but itâll be fun to see them on actual display.
I tease myself before turning the corner and an anticipatory smile creeps over my face. Iâm such a dork. A silly, stupid, inappropriate dork to get so excited about seeing my secretly favorite studentâs high school art project. Be that as it may, my breath still catches and I come up short when I swing into the nook.
Shep
Iâve been waiting for this all night. For her. For every âcongratulationsâ Iâve received, for every hand of someoneâs eager parent Iâve shook, and for every time a teacher has asked me something about one of my drawings, Iâve kept an eye out for Erin.
The show is closing in fifteen minutes. Iâd almost given up but in some back corner of my brain, stupid hope held out that sheâs
Marina Dyachenko, Sergey Dyachenko