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“The Chicken Dance” or the birthday song. I accumulated knowledge at random, like my son Henri, who can pronounce
poire
but not
maman
, because the course of our learning was atypical, full of detours and snags, with no gradation, no logic. I shaped my dreams in the same way, through meetings, friends, other people.

F or many immigrants, the American dream has come true. Some thirty years ago, in Washington, Quebec City, Boston, Rimouski or Toronto, we would pass through whole neighbourhoods strewn with rose gardens, hundred-year-old trees, stone houses, but the address we were looking for never appeared on one of those doors. Nowadays, my aunt Six and her husband, Step-uncle Six, live in one of those houses. They travel first class and have to stick a sign on the back of their seat so the hostesses will stop offering them chocolates and champagne. Thirty years ago, in our Malaysian refugee camp, the same Step-uncle Six crawled more slowly than his eight-month-old daughter because he was suffering from malnutrition. And the same Aunt Six used the one needle she had to sew clothes so she could buy milk for her daughter. Thirty years ago, we lived in the dark with them, with no electricity, no running water, no privacy. Today, we complain that their house is too big and our extended family too small to experience the same intensity of the festivities—which lasted until dawn—when we used to get together at my parents’ place during our first years in North America.
    There were twenty-five of us, sometimes thirty, arriving in Montreal from Fanwood, Montpelier, Springfield, Guelph, coming together in a small, three-bedroom apartment for the entire Christmas holiday. Anyone who wanted to sleep alone had tomove into the bathtub. Inevitably, conversations, laughter and quarrels went on all night. Every gift we offered was a genuine gift, because it represented a sacrifice and it answered a need, a desire or a dream. We were well acquainted with the dreams of our nearest and dearest: those with whom we were packed in tightly for nights at a time. Back then, we all had the same dreams. For a long time, we were obliged to have the same one, the American dream.

W hen I turned fifteen, my aunt Six, who at the time was working in a chicken processing plant, gave me a square aluminum tin of tea that had images of Chinese spirits, cherry trees and clouds in red, gold and black. Aunt Six had written on each of ten pieces of paper, folded in two and placed in the tea, the name of a profession, an occupation, a dream that she had for me: journalist, cabinetmaker, diplomat, lawyer, fashion designer, flight attendant, writer, humanitarian worker, director, politician. It was thanks to that gift that I learned there were other professions than medicine, that I was allowed to dream my own dreams.

O nce it’s achieved, though, the American dream never leaves us, like a graft or an excrescence. The first time I carried a briefcase, the first time I went to a restaurant school for young adults in Hanoi, wearing heels and a straight skirt, the waiter for my table didn’t understand why I was speaking Vietnamese with him. At first I thought that he couldn’t understand my southern accent. At the end of the meal, though, he explained ingenuously that I was too fat to be Vietnamese.
    I translated that remark to my employers, who laugh about it to this day. I understood later that he was talking not about my forty-five kilos but about the American dream that had made me more substantial, heavier, weightier. That American dream had given confidence to my voice, determination to my actions, precision to my desires, speed to my gait and strength to my gaze. That American dream made me believe I could have everything, that I could go around in a chauffeur-driven car while estimating the weight of the squash being carried on a rusty bicycle by a woman with eyes blurred by sweat; that I could dance to the same rhythm as the girls who swayed their