Rabbit Redux
her.
                "Just about. I'm so sorry, Harry. Daddy came back and he just wouldn't let us go."
                "Catch a nigger by the toe," he mumbles.
                "What sort of evening did you and Nelson have?"
                "A kind of nothing sort of evening."
                "Anybody call?"
                "Nobody."
                He senses she is, late as it is, alive, jazzed up, and wants to talk, apologetic, wanting to make it up. Her being in the bed changes its quality, from a resisting raft he is seeking to hold to a curving course to a nest, a laden hollow, itself curved. Her hand seeks him out and he brushes her away with an athlete's old instinct to protect that spot. She turns then her back on him. He accepts this rejection. He nestles against her. Her waist where no bones are nips in like a bird dipping. He had been afraid marrying her she would get fat like her mother but as she ages more and more her skinny little stringy go-getter of a father comes out in her. His hand leaves the dip to stray around in front to her belly, faintly lovably loose from having had two babies. Puppy's neck. Should he have let her have had another to replace the one that died? Maybe that was the mistake. It had all seemed like a pit to him then, her womb and the grave, sex and death, he had fled her cunt like a tiger's mouth. His fingers search lower, touch tendrils, go lower, discover a moistness already there. He thinks of feathering the Linotype keys, of work tomorrow, and is already there.
                The Verity Press lives on order forms, tickets to fund-raising dances, political posters in the fall, high-school yearbooks in the spring, throwaway fliers for the supermarkets, junk-mail sales announcements. On its rotary press it prints a weekly, The Brewer Vat, which specializes in city scandal since the two dailies handle all the hard local and syndicated national news. Once it also published a German-language journal, Der Schockelschtuhl, founded 1830. In Rabbit's time here they had let it die, its circulation thinned down to a few thousand farmers in odd comers of the county and counties around. Rabbit remembers it because it meant the departure from the shop of old Kurt Schrack, one of those dark scowling Germans with whiskers that look tattooed into the skin rather than growing out of it to be shaved. His hair was iron but his jaw was lead as he sat scowling in the corner that belonged only to him; he was paid just to proofread the Pennsylvania Dutch copy and hand-set it in the black-letter fonts no one else was allowed to touch. The borders, and the big ornamental letters used on the inside pages, had been carved of wood, blackened by a century of inky handling. Schrack would concentrate down into his work so hard he would look up at lunchtime and talk in German to Pajasek the Polish foreman, or to one of the two shop Negroes, or to one of the Angstroms. Schrack had been likable in that he had done something scrupulously that others could not do at all. Then one Monday he was let go and his corner was soon walled in for the engravers.
                Der Schockelschtuhl has gone and the Vat itself keeps threatening to take its custom to one of the big offset plants in Philadelphia. You simply paste it up, ads and photos and type, and send it off. Over Verity hangs a future that belongs to cool processes, to photo-offset and beyond that to photo-composition, computerized television that throws thousands of letters a second onto film with never the kiss of metal, beamed by computers programmed even for hyphenation and runarounds; but just an offset press is upwards of thirty thousand dollars and flatbed letterpress remains the easiest way to do tickets and posters. And the Vat might fold up any week. It is certainly a superfluous newspaper.
                BREWER FACTORY TOOLS COMPONENT HEADED TOWARD MOON, is this week's
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