Tags:
Fiction,
Literary,
General,
Psychological,
Romance,
American Fiction,
Modern fiction,
Middle Class Men,
Midlife crisis,
Harry (Fictitious character),
Angstrom
wouldn't say so. I took a vacation once, that didn't last very long. You wouldn't remember."
"I do, though. I remember Mom crying a lot, and everybody chasing you at the baby's funeral, and I remember standing in the place on Wilbur Street, with just you in the room beside me, and looking down at the town through the window screen, and knowing Mom was in the hospital."
"Yeah. Those were sad days. This Saturday, if Grandpa Springer has got the tickets he said he would, we'll go to the Blasts game."
"I know," the boy says, unenthusiastic, and drifts toward the stairs. It unsettles Harry, how in the corner of his eye, once or twice a day, he seems to see another woman in the house, a woman who is not Janice; when it is only his long-haired son.
One more beer. He scrapes Nelson's uneaten dinner into the Disposall, which sometimes sweetly stinks because the Penn Villas sewers flow sluggishly, carelessly engineered. He moves through the downstairs collecting glasses for the dishwasher; one of Janice's stunts is to wander around leaving dreggy cups with saucers used as ashtrays and wineglasses coated with vermouth around on whatever ledges occurred to her - the TV top, a windowsill. How can she be helping untangle Mildred's mess? Maybe out of the house she's a whirlwind of efficiency. And a heigh-ho Silver. Indian affairs. Poor Pop and his rumor. Poor Mom lying there prey to poison tongues and nightmares. The two of them, their minds gone dry as haystacks rats slither through. His mind shies away. He looks out the window and sees in dusk the black lines of a TV aerial, an aluminum clothes tree, a basketball hoop on a far garage. How can he get the kid interested in sports? If he's too short for basketball, then baseball. Anything, just to put something there, some bliss, to live on later for a while. If he goes empty now he won't last at all, because we get emptier. Rabbit turns from the window and everywhere in his own house sees a slippery disposable gloss. It glints back at him from the synthetic fabric of the living-room sofa and chair, the synthetic artiness of a lamp Janice bought that has a piece of driftwood weighted and wired as its base, the unnatural-looking natural wood of the shelves empty but for a few ashtrays with the sheen of fairgrounds souvenirs; it glints back at him from the steel sink, the kitchen linoleum with its whorls as of madness, oil in water, things don't mix. The window above the sink is black and as opaque as the orange that paints the asylum windows. He sees mirrored in it his own wet hands. Underwater. He crumples the aluminum beer can he has absentmindedly drained. Its contents feel metallic inside him: corrosive, fattening. Things don't mix. His inability to fasten onto any thought and make something of it must be fatigue. Rabbit lifts himself up the stairs, pushes himself through the underwater motions of undressing and dental care, sinks into bed without bothering to turn out the lights downstairs and in the bathroom. He hears from a mournful smothered radio noise that Nelson is still awake. He thinks he should get up and say good night, give the kid a blessing, but a weight crushes him while light persists into his bedroom, along with the boy's soft knocking noises, opening and shutting doors, looking for something to do. Since infancy Rabbit sleeps best when others are up, upright like nails holding down the world, like lamp-posts, streetsigns, dandelion stems, cobwebs...
Something big slithers into the bed: Janice. The fluorescent dial on the bureau is saying five of eleven, its two hands merged into one finger. She is warm in her nightie. Skin is warmer than cotton. He was dreaming about a parabolic curve, trying to steer on it, though the thing he was trying to steer was fighting him, like a broken sled.
"Get it untangled?" he asks