Prize of Gor

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Book: Prize of Gor Read Online Free PDF
Author: John Norman
yes,” she stammered. “I just wondered if you enjoyed the performance.”
    “Why?” he asked.
    “I thought I knew you,” she whispered, “I mean, someone like you, once, long ago.”
    “It was adequate,” he remarked. “I must be going now. My friend will be waiting.”
    “I thought the performance was powerful,” she whispered.
    He shrugged, the same shrug, it seemed!
    “Do you attend the opera often?” she asked, pressingly.
    “Sometimes,” he said. “Next Saturday we may see the new staging of La Bohème .”
    A husband and wife, interestingly, were to sing Rodolfo and Mimi in that production.
    “Good-day,” he said, and turned away, moving toward the exit.
    She felt herself a fool, and how annoyed he must have been, though his demeanor was the image of forbearance and courtesy itself. Perhaps, she thought, she should run after him, to apologize, she, in her fifties, and despite her status as an academician, one not unknown in her field, surely one with suitable publications, one with, too, impeccable credentials. But that would not do, of course. She should not run after him.
    It was only an oddity, a coincidence, something to be forgotten by tomorrow.
    But she did hurry after him, not to approach him, of course.
    That would not have done, at all. But, somehow, she did not want to lose sight of him. She did not understand the importance of this to her, or fully, but doubtless it had to do with the oddity of the resemblance, so remarkable, to the student, from so many years ago, he who was never forgotten, he who was recollected with ever fresh humiliation and anger, but, too, invariably, with fascination. This was at least, she told herself, a small mystery, whose denouement, however predictable and disappointing, might prove to be of interest.
    In the outer lobby she was momentarily disconcerted, even frightened, that he was gone. But then she saw him to one side, waiting to buy an opera book, an account of the history and staging of the piece. His companion was waiting some yards away, looking toward the exit.
    She approached the younger woman. It did not seem courageous to do so, but, somehow, necessary. She would have been terrified to approach the young man again, after their first interlude, for beneath the facade of his politeness there had seemed a subtle severity and power in him, but the other was merely a woman, and she did not much care what transpired between them. It was as though the blond woman did not really matter in these things, save in so far as she might prove useful.
    She would later revise her view on these matters.
    “Excuse me,” said the older woman, approaching the blond, younger woman, she holding her wrap about her. How well she stood, how well-figured she was, thought the older woman, with a touch of envy. That was doubtless the sort of body that men might seek. She herself, the older woman, in her youth, had not been so large, so buxom. She had been small, and delicate, and exquisitely, but not amply, figured. She had been sometimes thought of as “dainty,” but she hated that word, which seemed so demeaning, so minimizing. It had suggested that she might be no more than a biological, sexual confection of sorts, a bit of fluff, of interest perhaps, but unimportant, negligible in a way, as a human being. She had once thought of ballet, when she was quite young, before being brought in her young majority into the higher, sterner duties and understandings of the movement. But, too, she had been, in her way, interestingly, though not buxom, or obtrusively so, a bit too excitingly figured for that. Small as she was, and slim as she had been, there had been no doubt about, in its lovely proportions, the loveliness of her bosom, the narrowness of her waist, the delightful, flaring width of her hips, the sweetness of her thighs. She was, as thousands, and millions of others, though perhaps a bit short, and a little slim, a normal human female, of a sort greedily selected for
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