fur, a body crushing into the front end of the truck and sliding across the windshield to break the glass. Sheâd seen every stone on the street, every hair on the deerâs body before it had all become a haze.
Today sheâd felt that slow-syrup of time stopping twice. The first when the man slid across the seat and pointed a knife at her head. The second time was now.
She wasnât going back. Not to the vet appointments, the ballet practice, the laundry and the bills. She wasnât going back to the neediness, the whining, the constant, never-ending demands from spouse and spawn that left her feeling on some days her head might simply explode. She didnât know where she was going, just that it wasnât back.
When he opened the driverâs side door, he looked as startled as she must have been when he made his first appearance into her life. âIâ¦I didnât think youâd still be here.â
Gilly opened her mouth but said nothing.
His eyes cut back and forth as his mouth thinned. âMove over.â
She did, and he got in. He turned the key in the ignition and put the truck in Drive. Gilly didnât speak; she had nothing to say to him. With her feet on the duffel bag heâd squashed onto the passenger side floor, her knees felt like they rubbed her earlobes. He pushed something across the center console at her: the latest edition of some black-and-white knockoff of the Weekly World News, not the real thing. The real thing had gone out of publication years before.
âYou care if I smoke?â
She did mind; the stench of cigarettes would make her gag and choke. âNo.â
He punched the lighter and held its glowing tip to the cigaretteâs end. The smoke stung her eyes and throat, or maybe it was her tears. Gilly turned her face to the window.
He pulled out of the lot and back onto the highway, letting the darkness fall around them with the softness and comfort of a quilt.
3
âR oses donât like to get their feet wet.â Gillyâs mother wears a broad-brimmed straw hat. She holds up her trowel, her hands unprotected by gloves, her fingernails dark with dirt. Her knuckles, too, grimed deep with black earth. âLook, Gillian. Pay attention.â
Gilly will never be good at growing roses. She loves the way they look and smell, but roses take too much time and attention. Roses have rules. Her mother has time to spend on pruning, fertilizing. Tending. Nurturing. But Gilly doesnât. Gilly never has enough time.
Sheâs dreaming. She knows it by the way her mother smiles and strokes the velvety petals of the red rose in her hand. Her mother hasnât smiled like that in a long time, and if she has maybe it was only ever in Gillyâs dreams. The roses all around them are real enough, or at least the memory of them is. Theyâd grown in wild abundance against the side of her parentsâ house and along gravel paths laid out in the backyard. Red, yellow, blushing pink, tinged with peach. The only ones she sees now, though, are the red ones. Roses with names likeAfter Midnight, Black Ice, even one called Cherry Cola. Theyâre all in bloom.
âPay attention,â Gillyâs mother repeats and holds out the rose. âRoses are precious and fragile things. They take a lot of work, but itâs all worth it.â
The only flowers that grow at Gillyâs house are daffodils and dandelions, perennials the deer and squirrels leave alone. Her garden is empty. âIâve tried, Mom. My roses die.â
Gillyâs mother closes her fist around the roseâs stem. Bright blood appears. This rose has thorns.
âBecause you neglected them, Gillian. Your roses died because you donât pay attention.â
âMom. Your hand.â
Her motherâs smile doesnât fade. Doesnât wilt. She moves forward to press the rose into Gillyâs hand. Gilly doesnât want to take it. Her mother is passing
R. C. Farrington, Jason Farrington