keys.
“Jameson will handle it for you. Won’t you, Jameson?”
“Madame.”
“Careful you don’t scratch it,” she said. “It’s a rental.”
Pfefferkorn followed her through a mammoth carved wooden door, crossing the foyer and coming to an interior courtyard fragrant with citrus. A mosaicked fountain burbled. Cut flowers stood erect in vases. A chess set awaited players. Chairs awaited buttocks. Portraits smiled, landscapes sprawled, statuary thrust. Every object, living or inanimate, functional or decorative, appeared to Pfefferkorn peerless, including the compact white dog that sprung from its languor to greet them.
“Say hello, Botkin,” Carlotta said.
Pfefferkorn stooped to scratch the dog’s head. Its velvety coat and pleasant scent spoke of frequent grooming. Around its neck it wore a first-place ribbon. It rolled onto its back and Pfefferkorn rubbed its belly. It yipped happily.
Sensing that this was expected of him, Pfefferkorn asked for a tour. Room by room they went, the dog trotting along at Carlotta’s heels. In the basement they visited the indoor swimming pool where Bill did his daily hundred laps. In the theater Carlotta handed Pfefferkorn a remote control as heavy as a dictionary and showed him how to raise and lower the curtain. There was a ballroom where Carlotta danced four nights a week with a professional partner and a music room filled with all manner of instruments, though Pfefferkorn knew for a fact that neither de Vallée could carry a tune. Atop the harpsichord sat a photograph of Botkin, perched on a rostrum, accepting his ribbon.
The tour concluded on the third floor, in what Carlotta called the conservatory. A silver tea service had been laid out and crustless sandwiches prepared.
“You must be starving,” Carlotta said.
“I could eat,” Pfefferkorn said.
They sat.
“What is this?” he said. “Is this chicken salad?”
“Foie.”
“Well,” Pfefferkorn said, swallowing, “whatever it is, it’s delicious.” He picked up a second sandwich. “I couldn’t eat like this every day. I’d weigh four hundred pounds.”
“You learn moderation,” Carlotta said.
Pfefferkorn smiled. So far he had seen very little of Bill’s home life that could be described as moderate. “How the hell do you keep it clean? You must have a cast of thousands.”
“Honestly, it’s not that bad. Aside from Esperanza, there’s just the butler, and I’m thinking of letting him go, now that Bill’s gone.”
“Come on. One person for this whole place?”
“She’s very efficient. Bear in mind that I rarely step foot into most of the rooms. You haven’t even seen the guest wing.”
“Forget it. My knees hurt.” He reached for a third sandwich. “I feel like a swine.”
“Please.”
“They’re small,” he said. “And I haven’t eaten since breakfast.”
“You don’t have to make excuses,” she said, nibbling the corner of a scone. “These
are
good, aren’t they.” She fed the rest to the dog. “Don’t let me take any more.”
She stood, stretched, and walked to the window. Her backlit form was lithe, and with sudden, agonizing clarity, Pfefferkorn remembered how much he had loved her. The seams of youth, those lines where disparate traits meet and fuse, had been gently effaced by time, and now he looked at her and saw womanhood in its most complete form. He saw what he had sought in his early lovers, in his ex-wife. All had come up short. How could they not? He was comparing them to her. He watched her for a moment, then set down his food and went to join her.
The window overlooked a stone terrace, which in turn overlooked the grounds, which were in keeping with the rest of the house: at once intricate and overwhelming. Other wings jutted obliquely, massive clay walls and burnt-orange roofs.
“All this,” she said.
“It’s a beautiful home,” he said.
“It’s grotesque.”
“Maybe a tad.”
She smiled.
“I’m sorry I wasn’t able to
David Stuckler Sanjay Basu
Aiden James, Patrick Burdine