gratitude—yes,
my
gratitude!—so sweeping and unqualified is my love. Yes, me, with sweeping and unqualified love! I am standing in the kitchen (standing maybe for the first time in my life), my mother points, “Look outside, baby,” and I look; she says, “See? how purple? a real fall sky.” The first line of poetry I ever hear! And I remember it!
A real fall sky …
It is an iron-cold January day, dusk—oh, these memories of dusk are going to kill me yet, of chicken fat on rye bread to tide me over to dinner, and the moon already outside the kitchen window—I have just come in with hot red cheeks and a dollar I have earned shoveling snow: “You know what you’re going to have for dinner,” my mother coos so lovingly to me, “for being such a hard-working boy? Your favorite winter meal. Lamb stew.” It is night: after a Sunday in New York City, at Radio City and Chinatown, we are driving home across the George Washington Bridge—the Holland Tunnel is the direct route between Pell Street and Jersey City, but I beg for the bridge, and because my mother says it’s “educational,” my father drives some ten miles out of his way to get us home. Up front my sister counts aloud the number of supports upon which the marvelous educational cables rest, while in the back I fall asleep with my face against my mother’s black sealskin coat. At Lakewood, where we go one winter for a weekend vacation with my parents’ Sunday night Gin Rummy Club, I sleep in one twin bed with my father, and my mother and Hannah curl up together in the other. At dawn my father awakens me and like convicts escaping, we noiselessly dress and slip out of the room. “Come,” he whispers, motioning for me to don my earmuffs and coat, “I want to show you something. Did you know I was a waiter in Lakewood when I was sixteen years old?” Outside the hotel he points across to the beautiful silent woods. “How’s that?” he says. We walk together—“at a brisk pace”—around a silver lake. “Take good deep breaths. Take in the piney air all the way. This is the best air in the world, good winter piney air.”
Good winter piney air
—another poet for a parent! I couldn’t be more thrilled if I were Wordsworth’s kid! … In summer he remains in the city while the three of us go off to live in a furnished room at the seashore for a month. He will join us for the last two weeks, when he gets his vacation … there are times, however, when Jersey City is so thick with humidity, so alive with the mosquitoes that come dive-bombing in from the marshes, that at the end of his day’s work he drives sixty-five miles, taking the old Cheesequake Highway—the Cheesequake! My God! the stuff you uncover here!—drives sixty-five miles to spend the night with us in our breezy room at Bradley Beach.
He arrives after we have already eaten, but his own dinner waits while he unpeels the soggy city clothes in which he has been making the rounds of his debit all day, and changes into his swimsuit. I carry his towel for him as he clops down the street to the beach in his unlaced shoes. I am dressed in clean short pants and a spotless polo shirt, the salt is showered off me, and my hair—still my little boy’s pre-steel wool hair, soft and combable—is beautifully parted and slicked down. There is a weathered iron rail that runs the length of the boardwalk, and I seat myself upon it; below me, in his shoes, my father crosses the empty beach. I watch him neatly set down his towel near the shore. He places his watch in one shoe, his eyeglasses in the other, and then he is ready to make his entrance into the sea. To this day I go into the water as he advised: plunge the wrists in first, then splash the underarms, then a handful to the temples and the back of the neck … ah, but slowly, always slowly. This way you get to refresh yourself, while avoiding a shock to the system. Refreshed, unshocked, he turns to face me, comically waves farewell up to where
Arnold Nelson, Jouko Kokkonen