days.â
âHowâs Grace taking it?â
Maybe I can sew the tigerâs leg. I rotate it and it comes off in my hand.
âIt makes me anxious when you donât answer,â heblurts. âI start thinking I said something annoying and that I should stop talking and that maybe you donât like me anymore, and I know itâs ridiculous but I canât help it.â
People are always turning silence into a knife to stab themselves with. âI would never stop liking you, I promise.â
âOkay. Thanks.â Relief, embarrassment.
âI should probably go. I have a thousand years of homework. Iâm still failing American History because I hate America and I hate history.â Make another joke, show him Iâm fine. âAlso tomorrowâs trash pickup day so I gotta go put myself out on the curb.â
âPlease donât say things like that.â
Wrong joke. âJust kidding.â
âYouâre the only person at school I feel comfortable around, and youâre a very important friend to me, and I donât think you should call yourself trash.â
âYou always cheer me up every single time you talk to me, did you know that?â
I can feel him smiling.
âDonât stay up too late tonight, okay?â I tell him before I hang up.
I stare at my history book on the floor. Principal Eastmanâs brought me in twice to talk about American History. But I canât start the homework. Itâs not just a sheet of paper, itâs the horrible black hole of my future.
I toss the broken tiger into my closet, go out into the hall, knock three times on Graceâs door.
She doesnât open it all the way. âWhatâs up, Joy?â
Itâs the way teachers talk to you when you go to them after class and they know youâre gonna ask for an extension. That kind of weary readiness.
âI went to his funeral.â Mom and Dad are watching football downstairs. The noise blares up to us. She still doesnât let me in.
âHow was it?â
âIt was okay.â
âUh-huh.â
Let me in, let me in, let me in.
She tilts the door closed a little more. âIâm doing some school stuff. . . .â
âYeah.â
âSo I kind of need to concentrate.â
âOh! Iâll leave you alone.â
She hesitates. âYou okay?â
âIâm always okay.â Now I need to ask it back. But what if she finally admits that sheâs not, and I still have no clue what the right words areâ
She closes the door before I can find them.
We used to crawl into bed together and turn off all the lights and watch YouTube videos until we sobbed with laughter.
Back in my room, I check Adamâs Facebook. His wall goes straight from thirty-seven happy birthday posts to fifty-eight death posts. Heâs got more friends now.
Maybe he reeled drunk through the woods to looksoulfully at the moon and think about what a fucking âartistâ he was. And that last birthday shot caught around his ankles, and the wind carried him into the quarry.
The breeze drags a splintered piece of the overgrown oak tree branch against my window screen. Mustâve done that when I snuck out. The breeze rustles Graceâs old drawings taped to my wall, crayon versions of us. She always drew me taller and gave me a sword.
I get up to close the window. But thereâs an envelope on the sill. Sealed neatly, thick. My nameâs written on the back.
A weird feeling settles in my stomach.
I tear it open, feel inside. Photographs, stiff and glossy, and a folded piece of paper. A letter.
Only the first few lines make sense to me before the rest blurs and my mind gets stuck and my hands stop feeling like anything.
To Joy Morrisâ
I was at the party. I was at the quarry. I saw what you did.
I saw you murder Adam Gordon.
THREE
June 7
Grace
â YALE .â PRINCIPAL EASTMAN THROWS A PAMPHLET onto the pile