hand where I’d put the scone earlier, then wrapped my mouth around his elbow and blew the rest of the juices up into his arm. For good measure, I snaked my tongue around his humerus bone and past his biceps, all the way on up to his clavicle. After all, I had to make sure that none of those precious fluids dribbled out, because I didn’t want a brilliant musician like Paul to be a good zombie—I wanted him to be a fookin’ great zombie.
I reattached his arm and licked it closed. Then I went over to the kitchen, tracked down a bottle of cooking sherry, threw down a big drink, which went straight into the hole in the roof of my mouth and into my brain, making me instantly rat-arsed, and I sat down at the table. I crossed my fingers and hoped for the best.
Ten or fifteen minutes later, I went back to my room, and there’s Paul, curled up in a little ball, snoring away, sucking his thumb, looking rested, content, and slightly grayish.
I felt his forehead. It was ice cold. Success. Paul McCartney was as undead as a fookin’ doornail.
PAUL M C CARTNEY: John’s often claimed that he set up my guitar for left-handed purposes while I was down for the count, but I don’t believe that for a second, because I’m not entirely convinced he remembered I was right-handed in the first place.
JOHN LENNON: How the fook was I supposed to remember if he was right- or left-handed? I’d only seen him play one fookin’ song, and it was right after a Quarrymen show, and after most gigs, my headwas in the clouds. Man, if Paul had an elephant trunk for a nose, I wouldn’t have noticed.
The fact is, I didn’t redo the guitar. Paulie did. And he did it the second after he opened his eyes. I could tell he didn’t have any clue what he was doin’ while he was doin’ it. His hands were working of their own accord, and they were workin’ blurry fast. It was a sight to behold. How he knew he’d become left-handed, I have no idea. The amazing thing was that he played even better as a lefty, so it turned out I’d made a solid decision.
PAUL M C CARTNEY: John says that after I regained consciousness, we jammed on blues tunes for six or seven hours. That I can believe, because I remember when I woke up the next morning, both of my index fingers were lying under my pillow.
That’s the moment I realized I wasn’t alive anymore. And I wasn’t a damn bit happy about it.
L ennon claims he doesn’t remember killing any of his Mendips neighbors, but he doesn’t remember not killing them, either. I don’t disbelieve him: being that he’s eaten, transformed, or mortally wounded several thousand people, it’s understandable he’d forget (or block out) a handful of capricious childhood murders.
But the stats don’t lie: of the eighty-eight people who lived within a one-block radius of Mendips, circa 1957, eighty-two of them are dead. And of the seventy-nine death certificates I managed to track down, sixty-three of them list the cause of death as “unknown,” and in four of those cases, the only identifiable part of the bodies uncovered were the victims’ teeth. That’s undoubtedly the work of a very, very potent zombie. John Lennon wasn’t the only zombie in the area, but he was certainly the strongest. You do the math.
Three years younger than his former neighbor John Lennon, Lawrence Carroll is one of the Menlove Avenue men who survived to tell some tales. A loyal Beatles fan and self-professed “nosy parker,” Lawrence grew up on the corner of Menlove and Vale Road, a mere stone’s throw from Mendips. His family moved to Brownlow Hill early that fateful fall, which likely explains why he was still amongst the living when I spoke with him at Bramley’s Cafe in Liverpool during May 2002.
LAWRENCE CARROLL: I was kind of chunky and unathletic as a child, and I didn’t have too many friends, so I spent a lot of my time wandering around the neighborhood and watching. I was a lurker, I suppose you could say. I hid behind
Olivia Hawthorne, Olivia Long