chute, the eye rolls, blood is smeared on the lintel.
Mallet or bullet they lunge toward their darkness.
But something queer happens when the heart is delivered.
When a child is born, sometimes the left hand is stronger.
You can train it to fail, still the knowledge is there.
That is the knowledge in the hand of a butcher
that adds to its weight. Otto Kröger could fell
a dray horse with one well-placed punch to the jaw,
and yet it is well known how thorough he was.
He never sat down without washing his hands,
and he was a maker, his sausage was echt
so that even Waleski had little complaint.
Butch once remarked there was no one so deft
as my Otto. So true, there is great tact involved
in parting the flesh from the bones that it loves.
How we cling to the bones. Each joint is a web
of small tendons and fibers. He knew what I meant
when I told him I felt something pull from the left,
and how often it clouded the day before slaughter.
Something queer happens when the heart is delivered.
The Carmelites
They’re women, not like me but like the sun
burning cold on a winter afternoon,
audacious brilliance from a severe height,
living in the center as the town revolves
around them in a mess. Of course
we want to know what gives behind their fence,
behind the shades, the yellow brick
convent huge in the black green pines.
We pass it, every one of us, on rounds
we make our living at. There’s one
I’ve spoken to. Tall, gaunt, and dressed in brown,
her office is to fetch the mail, pay bills,
and fasten wheat into the Virgin’s arms.
I’ve thought of her, so ordinary, rising every night,
scarred like the moon in her observance,
shaved and bound and bandaged
in rough blankets like a poor mare’s carcass,
muttering for courage at the very hour
cups crack in the cupboards downstairs, and Otto
turns to me with urgency and power.
Tremendous love, the cry stuffed back, the statue
smothered in its virtue till the glass corrodes,
and the buried structure shows,
the hoops, the wires, the blackened arcs,
freeze to acid in the strange heart.
Clouds
The furnace is stoked. I’m loaded
on gin. One bottle in the clinkers
hidden since spring
when Otto took the vow
and ceremoniously poured
the rotgut, the red-eye, the bootlegger’s brew
down the scoured steel sink,
overcoming the reek
of oxblood.
That was one promise he kept.
He died two weeks after, not a drop crossed his lips
in the meantime. I know
now he kept some insurance,
one bottle at least
against his own darkness.
I’m here, anyway, to give it some use.
From the doorway the clouds pass me through.
The town stretches to fields. The six avenues
crossed by seventeen streets,
the tick, tack, and toe
of boxes and yards
settle into the dark.
Dogs worry their chains.
Men call to their mothers
and finish. The women sag into the springs.
What kind of thoughts, Mary Kröger, are these?
With a headful of spirits,
how else can I think?
Under so many clouds,
such hooded and broken
old things. They go on
simply folding, unfolding, like sheets
hung to dry and forgotten.
And no matter how careful I watch them,
they take a new shape,
escaping my concentrations,
they slip and disperse
and extinguish themselves.
They melt before I half unfathom their forms.
Just as fast, a few bones
disconnecting beneath us.
It is too late, I fear, to call these things back.
Not in this language.
Not in this life.
I know it. The tongue is unhinged by the sauce.
But these clouds, creeping toward us
each night while the milk
gets scorched in the pan,
great soaked loaves of bread
are squandering themselves in the west.
Look at them: Proud, unpausing.
Open and growing, we cannot destroy them
or stop them from moving
down each avenue,
the dogs turn on their chains,
children feel through the windows.
What else should we feel our way through—
We lay our streets over
the deepest