itâs the only space on campus where we can thrash out our music without anyone complaining.
Kessie is still all innocence but thereâs a twitch at the corner of her mouth.
âTyler?â I swing around to our drummer, whose cherubic cheeks and spiky red hair are just visible over her Billy Hyde drum kit. Short and stocky and dressed head to toe in black, she has a series of piercings in her ears, eyebrow and lip that could overload a metal detector from twenty paces. She looks like a poster child for 1970s punk rock. Despite her appearance, sheâs arguably one of the calmest, coolest people I know. I canât remember ever seeing her angry. Never heard her raise her voice. But she was born to play drums and can pound those skins like Dave freaking Grohl.
âDonât drag me into it,â she says. âThis is all you.â
âWhatâs the big deal?â Kessie smirks infuriatingly.
âDonât play dumb, Kess,â I say, resting my elbow on my guitar.
Van dips his head, his shiny black fringe almost completely obscuring half of his face. He pushes his hair back, revealing smudged eyeliner and a blank gaze.
I swing around to confront Kessie, whoâs smiling again, thoroughly entertained.
âDid I miss the memo? Suddenly you guys are rewriting my songs too?â
Kessie offers a loud âhere we go againâ kind of sigh and shakes her head.
âSince when did âLove Songâ become a protest song?â Iâve forgotten about Van and Tyler now, even though they must have been in on it, because they extended the midsection long enough for Kessieâs little diatribe.
But thereâs no point attacking them. Van barely speaks â he lets his bass do all the talking. I mean, literally. When he was auditioning, I asked him a question about commitment or passion â I canât remember exactly â but instead of pleading his case, he played the opening riff of âAliveâ, as if that were all the answer I needed. (It was. We asked him to join that day.) And Tyler would rather swallow broken glass than get in a battle about anything . She says she got enough of that at home before she and her mum escaped her real dad.
âI have no idea what you mean,â Kessie says.
â Itâs time. Itâs time to fix it. Time to ⦠What did you say? Heal it? I donât even know what that means.â
â Seal it,â she says. âObviously.â
â Old white men â¦â I continue, trying to remember. âGet out of town.â
âClose. Faceless old men. Thereâs a new chick in town .â She hesitates. âBut I like the passion of âget out of townâ. That could work.â
âNo, that wonât work!â I say, hearing the ugly lift of my voice as I get a little crazy. What is wrong with metoday? I deliberately lower my voice. âTheyâre not the lyrics.â
âSo? I changed it up a little.â
âChanged it up? Itâs my song!â
Kessie frowns. âBut itâs our band.â
âTechnically, itâs my band.â
Kessie blinks and Van steps back as though to get out of the way.
âGuys, come on,â Tyler says from behind her drums.
I feel a brief pang of regret; itâs kind of a thing between Kessie and me â whose band it is. Kessieâs all for democracy and equality. Me, not so much. I started the band. Found the members. I write most of the songs, and if I donât organise rehearsal it doesnât happen ⦠Except none of my music works without them. âSeriously, Kess? Weâve talked about this.â
âHey â if you donât like my interpretation you can always sing it yourself.â
What can I say? I donât sing. Not on stage. Thatâs why I worked so hard to convince Kessie to join. We needed a voice and it wouldnât be mine, and she knew that when she signed up. I change tack.