what does that mean? Every day. Knock on Mrs. Richardsâ door, and then what? The ghost just stands there, pointing, drooling black blood on the carpet. Charlie wants to help her, but he has no idea how. What does she want?
And Mrs. Richards is always accusing Mitchie of barking, even though itâs been years since heâs been able to make a sound. Charlie doesnât mind, though. Sheâs not so bad. Some people just like to complain. At least sheâs got some spark left in her, not like the other people in this place. No, Mrs. Richards is fine. Let her complain about Mitchie. It doesnât faze Mitchie, so why should Charlie care?
The ghost is a different story. The ghost wonât leave him alone. Does she want him to tell Mrs. Richards something? Does she have some spooky missive from beyond the grave?
âDo you know anyone who got their head cut off, Mrs. Richards?â
âIf you donât keep him quiet, Iâll have to make a formal complaint, Charles,â she says. âHonestly. The dog barks all night, and then you come knocking on my door. Oh hello Charles. How are you today? Can I help you? Oh, you just want to talk more about a headless ghost that follows you and that stupid dog of yours around? I guess Iâll see you tomorrow. Well, you know what, Charles? I would prefer if I didnât see you tomorrow. Knock on somebody elseâs door tomorrow with your idiot dog.â
âMy dog is not an idiot,â Charlie says. But when he looks down Mitchie is standing with his face pressed against the wall again. âTurn around and defend yourself, Mitchie, for the love of Christ.â
The ghost is still pointing a bloody finger in Mrs. Richardsâ face. Its lips are sounding out empty words. What does it want? Who has time for this nonsense?
Every stupid day.
too.
15
The wood under Jackieâs feet is slippery. She moves forward, trying to get a better grip with her sneakers, but that isnât going to be enough. She needs to reach out a free hand and steady herself, except Ann would think less of her. Ann has her black hair clipped up. Even in the pouring rain it looks good.
âYou can give up, if youâd like,â Jackie says. âThereâs only a little shame in defeat.â Their hands are lashed together with a bandana. This is a fight to the death, Jackie thinks. They are standing on top of this playground equipment in the rain like they donât have the sense they were born with. The broken-arm tree is wide above them, but Ann doesnât know that. She thinks this is just a straightforward fight to the death, without symbolism. Jackieâs foot slides again. Donât look down, she thinks. But looking at Ann makes her dizzy, too.
âGive up,â she says again.
âNo,â Ann tells her.
âIâm just saying,â Jackie says, âitâll probably hurt less. Have you noticed how high up we are?â But Ann isnât scared. âIf you give up now,â Jackie says, ânobody needs to know you were scared. We can tell people you had female problems .â
It wasnât raining when theyâd got on the streetcar to come out here, but it sure is raining now. Theyâd climbed up the hill to the playground anyway.
Jackie fell out of that tree up there, years ago, when there was no playground equipment here. She was hanging upside down, with her arms and hair reaching for the ground. She had long hair, then. She had skinny arms. But she didnât have much in the way of common sense.
She was up there, flipping around on the branch like Jackie the little gymnast, way up in a tree with no one around. She could have snapped her neck and died. Instead she broke her arm and walked home.
Their neighbor Carol came running down her lawn when Jackie walked past. Jackieâs arm was just hanging dead. She couldnât hear anything Carol was saying. She thought she had gone deaf. Carol thought