could be average for all I know!
Rosella stuffs everything under a chair
and grabs her shoes. âCome on!â
Dia canât find a place
at the barre.
No one wants to be next to her.
Like her freakishness
could rub off onto them
or something.
âHere,
Dia.
Hereâs a space,â I say,
and make room.
She almost smiles.
âThanks, Clare.â
I start to smile back
until Rosella gives me a look.
âWhat?â I mouth.
She shakes her head
and looks away.
Some days
barre work
flies past
fast
with hardly any pain.
And then
other days
itâs one long pain.
Today itâs fast.
My mind
is thinking of Saturdayâs audition,
and my body exercises
itself.
The boys are as psyched
as the girls.
Everyone is pouring sweat.
Tommy is completely focused for once.
Elton tremors to keep his leg raised high.
I try to meet his extension
and almost do.
The guys are going to be fighting just as hard
as the girls for spots in City Ballet.
I give it my all to lift my leg a bit more . . .
and I do!
Look out. Iâm fighting too.
âDia, Iâd like to
speak to you privately
before floor exercises begin,â
says Madame. âContinue to stretch, class.â
We all stop moving.
Only our sweat
plops to the floor.
We watch
Madame and Dia
go into the office.
One of the ladies
from the adult class dashes back in.
Itâs the red-headed one
from my dream.
âForgot my towel.â
She giggles.
âHave a good dance,â she calls to us and leaves.
âLike, who was she talking to?â
Rosella humphs.
The office door opens.
Madame glides to the front of the room.
She clicks out a combination.
During fouettés,
while I spin
round and round on pointe,
I see Dia rush out.
She is a blur.
But I see her go.
Iâm sure
itâs for good.
The rumors are already
buzzing.
âI heard her crying!â says Ellen.
âMadame told her she was too fat!â
Michaela adds.
âShe said, âDonât ever come back!â â Devin says.
I shove my stuff
into my bag.
I bang the stall door
and raise my voice over Rosellaâs stupid retching.
âBye.â
âWait, Clareââ
But I donât.
I hurry away
from their fascination
of someoneâs dream dying.
Itâs like it fills them up,
or maybe itâs their relief
bubbling out
that they havenât been cut too.
I run out of the conservatory,
away from my fear
of becoming Dia.
Today Grandpaâs hedge
seems to reach out and smother me.
I hurry through the gate
and toss my bag in the house.
I grab a diet soda from the fridge
and sneak out to the backyard deck
without running into Grandpa.
How will Dia
stop ballet lessons?
Ten years of training
wasted.
What will she tell her parents?
The soda can sweats
in my hand.
What do you do
if they donât let you
learn to dance?
Grandpa comes around the house
with his wheelbarrow.
âHow was dancing today?â
he asks without looking at me.
âFine,â I answer.
âGood.â He dumps everything
into the recycle bin.
âThey posted the audition
for City Ballet,â I say,
and pull a splinter
out of the deck step.
Grandpa stretches his back.
âThatâs nice.â
âItâs on Saturday,â I add.
âSo youâll be auditioning?â
He turns and looks at me.
An image of Dia
rushing out
goes through my mind.
âOf course, Grandpa.
I want to become a dancer.â
âClare . . . â
A waxwing bird
swoops down into the bath,
ruffles his feathers,
and flies off.
âI wish you could believe me,â he says quietly.
âYou already are a dancer.
You have the same passion
your grandmother had
when she stepped out onto the floor.
You feel the music.
Iâve sat in on plenty of your classes
over the years
to see your dancing spirit.
You have to dance
when the
John Douglas, Johnny Dodd
Neel Mukherjee Rosalind Harvey Juan Pablo Villalobos