pressure points that heâd been trained so well how to useâbut only in extreme emergency, because the absolutely essential rule was always to avoid possible recognition by an intended victimâreeled off in his mind until OâFarrell consciously stopped the reflection. It was prohibited for him to become involved in any sort of dispute or altercation, to attract the slightest attention, official or otherwise.
âWhy doesnât someone do something!â Jill demanded, beside him. âLook at her, poor woman!â
âSomeone will have sent for security,â OâFarrell said, and as he spoke two uniformed guards came into the room and began herding the group away, ignoring their protests.
Jill shuddered and said, âThat was awful!â
âEmbarrassing, thatâs all,â OâFarrell said. âThey were drunk.â
âI didnât like it.â Jill shuddered again.
It wasnât being a very successful day, OâFarrell thought. He said, âDo you want another drink?â
âNo,â she said, at once. âSurely you donât, either?â
âNo,â said OâFarrell. There would easily have been time. âWe might as well go, then.â
They emerged from the hotel through the main Pennsylvania Avenue exit and immediately saw the group continuing their argument. The crying woman was still weeping and her hair was disarrayed. The other woman was trying to pull her male companion away and he was making weak protests, clearly anxious to get out of the situation, but not wanting to be seen to do so. As OâFarrell and his wife looked, the man who appeared to be at the center of the dispute lashed out; the disheveled woman somehow didnât see the movement and the open-handed blow caught her fully in the side of the face, sending her first against the hotel wall and then sprawling across the sidewalk. When she tried to get up, he hit her again, keeping her down. Neither of the other two men attempted to intrude. One allowed his companion to pull him away, and the other, the one who had made an effort in the bar, visibly shrugged off responsibility.
âDo something!â Jill insisted. âSomebody do something! Heâs going to hit her again.â
The man did, and this time the woman stayed down. Distantly OâFarrell thought he heard the wail of a police siren. He took Jillâs arm, forcibly leading her back into the hotel toward the long corridor that bisected the building to F Street.
âWe canât walk away!â Jill said. âShe could be hurt.â
âItâs okay,â OâFarrell said. âItâs all being taken care of.â
âWhat are you talking about!â
âDidnât you hear the sirens?â Sheâd expected him to intervene, he knew. And was disappointed that he hadnât.
âNo!â
âI did. Theyâre coming.â
On the pavement outside, on F Street, Jill stopped, head to one side. âI still donât hear anything.â
âTheyâll have gotten there by now: police, ambulance, everyone.â OâFarrell wondered why he was shaking, and why his hands were wet, as well. Jill would think him weak, a runaway coward.
âHe could have killed her.â
âNo,â OâFarrell said.
âHow do you know?â
How do I know! Because Iâm an acknowledged and recognized expert, OâFarrell thought: thatâs what I do! He said, âIt was one of those loversâ things, matrimonial. An hour from now theyâll be in the sack, making up.â
âCan you imagine anyone capable of hurting another human being like that!â
âNo,â OâFarrell said again, more easily now because heâd learned to field questions like that. âI canât imagine it.â
The show was at the National Theater so they cut down 14th Street, pausing at the Marriott comer to look back along the opposite
Elizabeth Hunter, Grace Draven
Nelson DeMille, Thomas H. Block