Notes From a Small Island
noisome cheeses and wondering why they had bought the cheese and what they were going to do with themselves until it was time to catch the four o'clock ferry home. You could hear them bickering in small, unhappy voices as they passed. 'Sixty francs for a packet of bloody goat's cheese? Well, she won't thank you for that.' They all looked as if they ached for a nice cup of tea and some real food. It occurred to me that you could make a small fortune with a hamburger stand. You could call it Burgers of Calais.
It must be said that apart from shopping and bickering quietly there isn't a great deal to do in Calais. There's the famous Rodin statue outside the Hotel de Ville and a single museum, the Musee des Beaux-Arts et de la Dentelle ('The Museum of Beautiful Art and
of the Teeth', if my French hasn't abandoned me), but the museum was closed and the Hotel de Ville was a long slog - and anyway the Rodin statue is on every postcard. I ended up, like everyone else, nosing around the souvenir shops, of which Calais has a certain amplitude.
For reasons that I have never understood, the French have a particular genius when it comes to tacky religious keepsakes, and in a gloomy shop on a corner of the Place d'Armes, I found one I liked: a plastic model of the Virgin Mary standing with beckoning arms in a kind of grotto fashioned from seashells, miniature starfish, lacy sprigs of dried seaweed and a polished lobster claw. Glued to the back of the Madonna's head was a halo made from a plastic curtain ring, and on the lobster claw the model's gifted creator had painted an oddly festive-looking 'Calais!' in neat script. I hesitated because it cost a lot of money, but when the lady of the shop showed me that it also plugged in and lit up like a funfair ride at Margate, the only question in my mind was whether one would be enough.
'C'est tres jolie,' she said in a kind of astonished hush when she realized that I was prepared to pay real money for it, and bustled off to get it wrapped and paid for before I came to my senses and cried, 'Say, where am I? And what, pray, is this tacky piece of Franco-merde I see before me?'
'C'est tres jolie,' she kept repeating soothingly, as if afraid of disturbing my wakeful slumber. I think it may have been some time since she had sold a Virgin-Mary-with-Seashells Occasional Light. In any case, as the shop door shut behind me, I distinctly heard a whoop of joy.
Afterwards, to celebrate, I called in for a coffee at a popular cafe on the rue de Gaston Papin et Autres Dignitaires Obscures. Indoors, Calais seemed much more agreeably Gallic. People greeted each other with two-cheeked kisses and wreathed themselves in blue smoke from Gauloises and Gitanes. An elegant woman in black across the room looked uncannily like Jeanne Moreau having a quick fag and a Pernod before playing a funeral scene in a movie called La Vie Drearieuse. I wrote a postcard home and enjoyed my coffee, then passed the hours before dusk waving in a friendly but futile way at the bustling waiter in the hope of coaxing him back to my table to settle my modest account.
I dined cheaply and astonishingly well at a little place across the road - there is this to be said for the French: they can make chips -drank two bottles of Stella Artois in a cafe, where I was served bya Philippe Noiret lookalike in a slaughterhouse apron, and retired early to my modest hotel room, where I played with my seashell Madonna for a bit, then got into bed and passed the night listening to cars crashing in the street below.
In the morning, I breakfasted early, settled my bill with Gerard Depardieu - now there was a surprise - and stepped out to another promising day. Clutching an inadequate little map that came with my ferry ticket, I set off in search of the ferry terminus. On the map it looked to be quite near by, practically in the town centre, but in reality it was a good two miles away at the far end of a bewildering wasteland of oil refineries, derelict
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