Tell
me what you want.â
The other friend of Victor Passerat replies, âVictor
Passerat. Weâre waiting for him. Itâs serious. He had an appointment with the
Baroness and with the Baron, and â â
âJust a minute,â says Mr Samuel, looking closely at the
second friend, âjust a minute. You sound like a man.â
âI am a man.â
âAll right. I thought you were a girl.â
âThatâs only my clothes. My friend hereâs a woman. Iâm
Alex â sheâs a masseuse.â
âMy nameâs Anne,â states the masseuse, stockily regarding
Mr Samuelâs bunch of keys. âDo you have the keys to the house?â
âI certainly do,â says Mr Samuel.
âWell, we want to know whatâs going on,â says the
woman.
âWeâre worried, quite frankly,â says her young
friend.
Mr Samuel places a gentle hand on the shoulders of each.
âDonât you think,â he says, âthat it would be more advisable for you to go away
and let nature take its course? Go away, quietly and without fuss; just go away
and play the piano, or something. Take a soothing nightcap, both of you, and
forget about Passerat.â
From an upper room comes a sound like a human bark
followed by an owl-screech.
Anne the masseuse adds a further cry to the night. âOpen
that door,â she screams and running to the back door beats her heavy shoulder
against it, banging with her fists as well.
Mr Samuel winds his way to her with pleasant-mannered
authority. âThat was only the invalid,â he says. âThe nurse has probably bitten
his finger again. You would do the same, Iâm sure, if one of your patients
attempted to place his hand over your mouth for some reason.â
Anneâs friend, Alex, calls out, âCome on back in the car,
Anne. It might be dangerous.â
Mr Samuel is touching her elbow, urging her back to their
small car. âThereâs nothing in it for you,â he is saying. âGo home and forget
it.â
The masseuse is large but she appears to have very little
moral resistance. She starts to cry, with huge baby-sobs, while her companion,
Alex, his square bony face framed in a silk head-scarf and his eyes pleadingly
laden with make-up under finely shaped eyebrows, puts out a bony hand to touch
her face. âCome back in the car, Anne,â he says, giving Mr Samuel a look of hurt
umbrage.
Anne turns on Mr Samuel. âWho made you the secretary?â
she says. âVictor Passerat has been secretary since June.â
âPlease,â says Mr Samuel. âI didnât say he wasnât
secretary. I only say Iâm the secretary in residence. There are I donât know how
many secretaries. Victor is only one of the many and itâs only just unfortunate
that this appointment between him and the Baron Klopstocks should keep you
hanging around outside the house on a cold night. Just go home. Put on a
record.â
âIs everything going to be all right?â Anne says. Alex
has got into the car waiting for her. Anne gets in and puts her hands on the
wheel without certainty. She looks at Alex as if for guidance. Meanwhile Mr
Samuel has flicked himself in a graceful and preoccupied way to the back door of
the house and now selects a key.
The couple in the car stare after him and he gives them
one more glance; he lets himself in and quietly closes the door upon them. They
drive off, then, up the long avenue, round the winding drive, past the lawns
which in summer lie luminously green and spread on the one hand towards the
swimming-pool in its very blue basin, and on the other towards the lily-pond,
the animal-shaped yews, the fountains and the sunken rose garden. Behind them,
and beyond the darkness, twinkles the back of the house â a few slits of light
peppering its whole length â and behind that again, in the further darkness, the
sloping terraces leading to the