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Astral Projection
it’s the physical self that is being viewed. It’s supposed to make the transition easier, but it never worked for me.
In fact, all I had to do was make myself as relaxed as possible, relieve my mind of extraneous thoughts, and will myself to leave my body, sometimes looking at some particular spot on the ceiling or far corner of the room so that my “spirit” had a destination. Then I’d wait for it to happen.
Which it didn’t, more often than not. But sometimes I was successful and the more I was, the more I started to control my “flight”. Initially, I never left the room I occupied, but gradually I began to venture further to other rooms in the flat, cautiously graduating to outside locations, so that ultimately I was able to fly above rooftops, explore places I’d never physically visited—Buckingham Palace was dull, while the homes of some complete strangers could be interesting, even scary. It seemed I was limited only by my own boldness (I have to admit that in those early days I was somewhat timid; the fear of being unable to find my way back to my body was too strong. I was also afraid that the further afield I travelled, the easier it would be to break the psychic link to my physical self).
I slowly learned though that I only had to think of myself back inside my flesh and blood from for it to be so. It would happen in a rush, a dizzying race through space that took no longer than a second or so, and always I’d arrived back safely, with no hitches whatsoever.
I can’t say that I explored this thrilling new state to the full. For one, it didn’t work every time, and for two, after the original excitement, I began to lose interest. I don’t know why, it was just the way it was. Maybe deep down I was really afraid of the capability, some part of my subconscious feeling it was an unnatural state to be in, and that sooner or later something would go wrong, and I’d be punished.
In a way, I was right.
6
Did I ever tell anyone of these OBEs? And if I didn’t, then why not?
Simple answer is, no, I didn’t tell a soul. The reason why is not quite that simple, but you’ve a right to know.
I’ve always been a private person, never one for sharing all my deep-seated angst or emotions. Something I learned from Mother, I guess.
She brought me up to hide my feelings, to put on a face in front of others, particularly strangers. It was all to do with her pride and her shame at being deserted by her husband. Our reduced circumstances embarrassed her and when we moved into our little flat on the rougher side of London, she cut off all contact with friends and acquaintances. You know, I never knew if I had any other living relatives when I was growing up and eventually it didn’t matter to me anyway; Mother and me, we kept to ourselves. I was content enough. I spent most of my time drawing, sometimes painting (when I had the paints, which were usually Christmas or birthday gifts), writing little stories, and reading—God, I’d read anything that came my way, from comics to books to the back of cornflake packets. I loved movies too, and Mother and I went at least twice a week, sometimes twice in one day. For me it was all escapism, I suppose, all these things taking me out of both my environment and my circumstances; it must have been the same for Mother as far as the movies and TV soaps were concerned.
I think that in her mind she lived in some kind of dream world, a place the ugly realities of life could not touch. She was fooling herself, of course, life itself isn’t that easy to shut out.
Now you might imagine that all this would have turned me into a mother’s boy, but nothing could have been further from the truth. I was always independent as a kid, self-contained you might say; I loved my mother, but I could never understand her, couldn’t be the doting son she so much wanted. Just as she disappeared into her film world where everything had a tendency to turn out okay in the end (there
Douglas Preston, Lincoln Child